Speech Act Theory is a new project by producer and musician Pete Hickman which allows him to explore his vulnerable side, putting his insecurities out there for all to see. Musically this is bringing together elements of Alternative, Shoegaze, Electronica and pop, with the focus on keyboards and vocals, although special mention should be made here of the drums (and I still cannot make up my mind if they are programmed or real), which provide cut through. The guitar and bass take some of the emphasis away from the long held down chords which are played on some very analogue sounding synths, and the feeling is very much of the late Eighties and early Nineties Bristol scene, with Massive Attack being an obvious point of reference.
It gets very close to moving into dance territory but tends to just flirt with the idea and wants to stand against the wall and watch what else is going on. Lyrically this is touching on toxic relationships and what can come out of that. The video is both compelling and disturbing, featuring a male and female character, and one wonders what they see in each other as they mimic the others’ movements, while both are obviously suffering emotional trauma the very first time we see them. It feels far more like a mini movie than a music video, with this song being the effective soundtrack telling us the story. It may not be really my normal form of music to listen to, but there is something fascinating about this and it will be interesting to see where Pete takes us from here.
With artful cadences that catch you off guard with every diaphanous progression, the Auckland-based alt-electronica pseudo-trip-hop outfit Speech Act Theory and the moniker of Pete Hickman provides fitting soundscapes to sonically visualise the process of acceptance and prevailing.
What started as a cathartic studio project in 2019 for the multi-instrumentalist, songwriter and producer quickly evolved beyond the studio, which saw Speech Act Theory play their biggest live show to date, supporting Trentemoller at the Powerstation in Auckland in June 2023.
At his core, far deeper than the proliferated comparisons to Massive Attack, Portishead, and Thom Yorke, Hickman writes through what resonates, exhibiting an intimate and honest interconnection to his vulnerability through his self-produced records.