Domingo Candelario - EP Review: Sin Palabras
Although there is
always a very Cuban base to his music, Domingo has covered many different
styles, as he transcends culture and language: music is about expressing
emotions honestly and he tries to be as unique as he can. As a child, his parents listened to a lot of
Brazilian music, and he was fascinated by the way they used harmonies: it was
so beautifully put together, so soft and in connection with the soul. He feels most at home when he can express his
music to others in the same way that those musicians transcend language and
cultural barriers, “For me, coming from a theatre background, musically I will
use whatever style best communicates the feeling of my lyrics even for somebody
who doesn't understand the language, so whether that is funk, soul, Latin,
Cuban rhythm or a ballad.”
Sin Palabras is the follow-up to his debut album for AAA Records, Revolucion, which was released in 2016 to wide critical acclaim (and is definitely worth seeking out if you have yet to come across it). Since then, he has collaborated with Troy Kingi, performing on albums such as Holy Colony Burning Acres and Shake That Skinny Ass All the Way to Zygertron. Steeped in the styles of Cuban Nueva Trova, Domingo yet again shows there is a love of music which is deep within his veins and very soul, as with just the basic of accompaniments the emotion contained within his voice takes the listener on a journey to foreign lands and a simpler time.
It is delicate, refined, with the attention on his voice and gently picked acoustic. He is joined on a few tracks by violinist Pascal Roggen (Albi & The Wolves), who helps in taking the music in a more gypsy style while Nom Kohara provides guitar on one song. Seven songs, but with none reaching three minutes in length, and a few less than two, it is over way too soon. That for me is the only real issue as we have been waiting far too long for this release and it is simply just too short. He has a wonderful complex and rhythmic way of playing guitar, his vocals are compelling, and his vocalized percussion adds to the genuine and honesty contained within the songs, while the introduction of Pascal was a touch of genius. The best way to enjoy this wonderful album is just to sit back and let it flow right over you, having ensured it is set to repeat as soon as it gets to the end.
Other Reviews By Kev Rowland
07 Jul 2023 // by Kev Rowland
So it was down to Tuning Fork for the first night of the second Crushfest festival. Tonight was going to be Wellington and Auckland bands, and then some of the same will be playing at the second night in Wellington next month.
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Rain - Single Review: Love and War
15 Jun 2023 // by Kev Rowland
It has been quite a while since I last heard from Wellington-based singer songwriter Cathy Elizabeth, and back then Rain was seen solely as a studio project with Cathy being accompanied by Thomas Te Taite, who provided all the instrumentation including digital drums. Now they are a full band who have been performing live, and it is the first time they have recorded as such, with Thomas now, just providing acoustic guitar (plus engineering and producing etc.
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Lost Vessels - Single Review: All This Time
01 Jun 2023 // by Kev Rowland
I must admit I was not that impressed when I first saw Lost Vessels play at Crushfest, something they later admitted to me was the worst gig of their career, but since then they have improved in leaps and bounds. This has been noticed by others on the Auckland circuit as they are getting more opportunities with better support slots, and I was not at all surprised when they won the Ding Dong Lounge Battle Of The Bands in November last year.
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Unwanted Subject - Single Review: Sons of Savages
28 May 2023 // by Kev Rowland
I have caught Unwanted Subject in concert a few times over the last couple of years, and while they have been getting better each time I have seen them, I must admit that nothing prepared me for this, which right from the off is a monster. I have never heard them quite this is aggressive, nor as polished, and this multi-sectioned single sounds almost like a different band as they have pushed their metal roots to the max in this metalcore beast which sees them mixing and blending different genres to create something quite special.
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Gig Review: Stray Dogs @ AUX, Auckland - 26/05/2023
28 May 2023 // by Kev Rowland
So it was back to Ding Dong Lounge on a Friday night for one of their infamous Emo nights, which tonight was a three-band bill with Stray Dogs having an extended set, supported by Altaea and then up first we had Blindr, a band new to me. Blindr are a quartet featuring Bill Caldwell (vocals, guitar), Blake Woodfield (lead guitar), Jack Power (bass), and Charlie McCracken (drums).
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Gig Review: Turkey The Bird @ The Ministry of Folk, Auckland - 27/05/2023
27 May 2023 // by Kev Rowland
Back up to Auckland Guide Centre in Mount Eden tonight for my second consecutive gig (Sol suggested it was a turkey sandwich as I am at Vader tomorrow) to see Taranaki’s finest, Turkey The Bird at The Ministry of Folk. Before that we of course had Hoop, who are Al Baxter (vocals, guitar, harmonica, banjo, mandolin), Nick Edgar (vocals, guitar, ukulele, flute, harmonica), Emily Allen (violin, viola), Glenn Coldham (bass) while tonight Gary Hunt was filling in for drummer Rusty Knox.
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This Silent Divide - Single Review: Beautiful Creature
25 May 2023 // by Kev Rowland
Here we have the latest single from Wellington-based melodic hard rock quartet This Silent Divide, entitled Beautiful Creature. I really enjoyed their Tall Stories EP, and they played a great gig at Dead Witch towards the end of last year, and this would have been recorded at about the same time.
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Gig Review: Emily Rice @ Your Local Coffee Roasters, Pukekohe - 24/05/2023
24 May 2023 // by Kev Rowland
Earlier this week I had a message from Emily Rice asking me if I lived in South Auckland. When I responded I did, she asked if I would be interested in coming along to an event she was putting on in a coffee shop in Pukekohe to celebrate the release of her new single, Warenoa.
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