16 May 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Mirrored Walls - EP Review: if i didn't have you here

06 Oct 2022 // A review by Nicholas Clark
Mirrored Walls' first EP, if i didn’t have you here features a wide range of sounds and genre influences, but somehow it all makes sense. On the cover, a couple walks away from us in a faded blue image, but one figure is distorted perhaps through how they are remembered by the other. The EP is about loss, life and love. It’s heavy, both in its subject matter and its sonic exploration. Put your seatbelt on...


This release is very well produced, covering elements of shiny pop, acoustic ballads, heavy metal and hardcore screaming – which essentially makes an emo band(!). This label might put people off, but they would be missing out on a deeply emotional and sophisticated collection of tunes.

The EP begins with eyelids, featuring soft dual vocals and delicate instrumentation. The focus in the song, (and the rest of the tracks except one), are firmly established with the deeply personal lyrics: “I hope you’re doing well, and I wish you all the best, because after all you took the best of me, and I just hope you’re happy with the choice you made, to walk away that night to sleep with him instead of me.”

After the shimmery guitars, the song picks up and gets heavy, but there is 'feel good' element to the chords that are at odds with the topic. Most likely this is deliberate.

The song sounds positively anthemic by the end, and then features a really interesting turn with a chord change around that is surprisingly massive sounding. This little trick demonstrates what the band is capable of. Impressive stuff.

Second track collapse uses dual guitar harmonies with generous delay. The song is a little heavier right from the beginning but leans towards pop in the song structure and the mixing. The vocals remind me of American emo band The Used. There are also quite intense brutal screams buried deep inside the mix, just as there are heavy guitars below the shimmery ones. The song has a satisfying layering containing the rage, or at least covering it with pretty surface. Although the song is built different than the first, the vibe is similar – confessional, nostalgic and seeking resolve.

lately uses delay and reverb to showcase some beautiful guitar playing, before female vocals introduces us to the song. There are some clever chord changes, and the song is similar to some of the more interesting songs by American band Paramore. Again, the heaviness is kept just below the threshold so clean guitars remain at the forefront. Supporting all of this are competent drumming and bass that are so well played they essentially support the dual vocals and dual guitars to be enjoyed fully.

With monster as the next song title, I was anticipating a heavy song, but instead a finger-style acoustic guitar introduces us to a ballad. Now that I know the band is so varied in their influences, anything could follow. The song grows in intensity, not only with drum playing, but also with reverb drenched vocals. When the heaviness hits it is more about emotional impact than intensity of the instruments.

Some of the vocals give the audience an idea about who the monster is: “You’re blinded by the lies you’ve told, but look through my eyes ... am I wrong for hating you? ... you’re the monster that broke my hope”.

There’s a nice little synth stab at a break that sounds really good. It would be interesting to see if they could make it happen live.

it’ll be okay has some of the EP’s most engaging guitar fireworks once the song gets going. The confessional lyrics cover the already established themes of time passing, love lost, families, youth. ‘We were going to raise a family, who knows how things could be, if we’d met earlier, without dramatic history...

Finally, viertame otro tiro ( or 'pour another shot') breaks the tension of the other songs and begins with some impressive classical style guitar, but played on electric, then a funky rhythm propels us into a flamenco inspired shindig of a song. Then a bass march takes the listener into a different section, their most wild sounding yet. There is a positively Slavic folk feel almost like a System of a Down tune, and the song ends with a police siren for good measure. Phew!

It's really hard to fault the band in any way if you like emotionally charged music. Even for those who might shy away from a band described as ‘post-pop-punk’ there is much to be impressed by here. The songs are sophisticated, personal, played with passion and cover interesting topics and complicated emotions. Just as the personal element seems a bit much, the last song saves the band from getting too serious and plays something fun. The band is capable of a huge range of sonic textures but the level of intensity remains high throughout. Everything is carefully considered.

A perfect collection of songs for those who want music to move them; it’s definitely not a ‘play in the background’ release. I can’t wait to see this band live!

Rating: ( 5 / 5 )
 

About Mirrored Walls

Mirrored Walls are a Post-Pop-Punk band from Hawke's Bay. Encapsulating Pop-Punk themes and heavier elements inspired by Post-Hardcore artists, their songwriting far exceeds their current influence.




Visit the muzic.net.nz Profile for Mirrored Walls

Releases

if i didn't have you here
Year: 2022
Type: EP

Other Reviews By Nicholas Clark

Floyd Marsden - Album Review: The Disco Lizards
09 May 2024 // by Nicholas Clark
After two years in the making, Floyd Marsden releases her latest ten track album, The Disco Lizards. Although listed as alternative rock, this album features so much more than just that.
Read More...
Libbianski - Album Review: Useless Splendour
03 May 2024 // by Nicholas Clark
Unless you haven’t been paying attention, there’s a shoegaze revival occurring right now in Wellington. Many new bands are defining themselves as part of this subgenre of rock; namedropping band names such as Slow Dive, My Bloody Valentine or Swervedriver and leaning into the tenants of the tradition such as utilising effect pedals to create a lush, heavily affected guitar sound, and of course, looking at their shoes whilst playing (where the name of the style originates).
Read More...
Guilt Grip - Album Review: Guilt Grip
12 Apr 2024 // by Nicholas Clark
Tamaki Makaurau Auckland four-piece Guilt Grip present here, available in the unconventional medium of cassette tape, their first full length self-titled album. It’s an abrasive listen that suits the surreal collaged artwork by Lia Boscu, and one that proudly and loudly celebrates the band’s passions and values.
Read More...
EP Review: Lava
29 Feb 2024 // by Nicholas Clark
@page size: 21cm 29.7cm; margin: 2cm p { line-height: 115%; margin-bottom: 0.
Read More...
Tower Of Flints - Album Review: Live at Paisley Stage
12 Feb 2024 // by Nicholas Clark
The true proof that any band is worthy of praise is the live act. Recalling my own introduction to certain musicians, the quality of a live album would often be the deciding factor of whether I would continue to follow a band.
Read More...
Mister Unit - EP Review: There's Always Someone With A Bigger Schtick
30 Jan 2024 // by Nicholas Clark
Mister Unit’s third offering, after one EP and an album, is a six strong EP filled with inventive riffs, clever lyrics and catchy melodies. Oh yes, and lots of great guitar solos.
Read More...
Gig Review: Mister Unit @ Valhalla, Wellington - 18/01/2024
21 Jan 2024 // by Nicholas Clark
An emotional night for many, Valhalla hosted Mister Unit's album release party on Thursday with a three-band line-up. Emotional because the conclusion of work on a recording always is, whether or not it is a celebration, especially so on the dense, powerful and ultimately nostalgic six track album by the headlining band; but more than usual perhaps, because one member who featured on the album was no longer with us.
Read More...
Gig Review: Dave and the Dirty Humans @ Fringe Bar, Wellington - 13/01/2024
15 Jan 2024 // by Nicholas Clark
Dave and The Dirty Humans are not a band that fades in memory next to the many other current Wellington bands the capital scene appears to be teeming with. Not only is the name a mouthful, but their live shows are memorable, and their songs seem familiar by drawing heavily from the near past (read, the 90’s and 2000’s).
Read More...
View All Articles By Nicholas Clark

NZ Top 10 Singles

  • MILLION DOLLAR BABY
    Tommy Richman
  • TOO SWEET
    Hozier
  • ESPRESSO
    Sabrina Carpenter
  • A BAR SONG (TIPSY)
    Shaboozey
  • EUPHORIA
    Kendrick Lamar
  • NOT LIKE US
    Kendrick Lamar
  • FORTNIGHT
    Taylor Swift feat. Post Malone
  • BEAUTIFUL THINGS
    Benson Boone
  • LOSE CONTROL
    Teddy Swims
  • I LIKE THE WAY YOU KISS ME
    Artemas
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem