Alex (Interviewer);
Welcome to Inside the Music. Today we have Charlie and Ross from Dead Favours.
Thank you for speaking with us. You guys are a newly formed Auckland
supergroup?
Charlie (Drummer): Supergroup? Yeah, we’ve all been in bands
before. We’ve been in Dead Favours since the beginning of last year. We’ve just
started really hitting it hard. We’ve just released our first single, which is
tracking really well. We have our next single ready to go, but we’ve been
putting off releasing it because this first track is doing so well. We have a
tour coming up with Decades. Things are going well.
Alex: Dead Favours
has members from such bands as Fire at Will, Steriogram, Bloodnut, and The
Wreckage. How do you decide on what direction you want to take the music in?
Ross (Bassist): It’s all evolving as we go along.
Charlie: We don’t decide
Ross: Basically, we all come up with ideas, and put it all
together. Everyone is writing their own stuff, coming up with bits, and
everything seems to gel as if there is a common thread between us that makes it
work. We’re not thinking about it too much.
Charlie: When we first got together the first idea was to be
real bluesy, and it progressed from there. It’s still in the back of our minds
as a part of our sound, but we’ve gotten more modern, away from the bluesy feel.
It was a really good starting point for a band, to have that idea and let it
take its natural course. If someone comes up with a riff and we like it, then
we’ll play it.
Alex: You say that
you all contribute to the songwriting process, but some of you play multiple instruments.
Your vocalist Jared, was the drummer in Steriogram. Does he contribute to the
drumming in Dead Favours?
Charlie: He tries not to. We try to let each other do our
own thing, but we all give feedback. If we’re having trouble, then he might say
“I’ve got this idea. When I wrote the riff I had this in mind”, and jump on the
kit. But it’s been quite rare to have him get behind the drums. That being
said, I’m totally down for some dual drum solos. Get us a stage big enough and
we’ll get two drum kits out, for sure.
Alex: You’re debut
single Dig is doing well. Tom Larkin
from Shihad worked together with you to record the track. What was it like to
work with him?
Ross: It was really good. How the song changed from when we
got there to how it turned out, was really great. He managed to give us all a
kick in the right direction, and it’s worked really well obviously; so full
props to Tom. The next single coming out was recorded at the same time.
Charlie: The new one, it’s probably our favourite of the
songs we recorded with him. It’s a bit different, a bit sexier, a bit groovier.
You’ll have to wait to hear it.
Alex: The music video
for Dig is a sort of mannequin
challenge and multiple performances all done in one shot. Whose idea was that?
And how difficult was it to shoot?
Charlie: I came up with the basis of it. We were throwing around
a lot of ideas, and had a Facebook thread going on throwing ideas at each
other. It was a combination of a few videos that I’ve seen before, and the
mannequin challenge was a big thing at the time so we threw it in for effect,
and it worked really well. When we were planning to film it, I was preparing,
trying to figure out how we were going to pull it off, because it felt
ridiculous. But when we did it, it turned out way easier than we had
anticipated. We recorded it at my house, and plotted it out, doing a rough run
figuring out how long it would take to get around the house to get to the right
room at the right time in the song. And of course, us, the band, had to run
around the back of the camera to reach the next room before it got there. We
did about four or five runs, practising before the cameras and extras on the
video turned up. We did maybe another four or five takes, and we used the last
one.
Ross: Time-wise, it was really quick to do because it was
all one shot. Not setting up different things here and there. Doing just one
continuous shot, just required a few takes, and it came together really well.
Everybody did a good job, so thanks to all the people that were involved.
Charlie: Full props to the director, Adam, who just owned
it. We’re doing our next video with him, so we’re planning it at the moment.
Alex: Will it be the
same kind of thing?
Charlie: It keeps changing, and we’re not filming until
August now, so it could change again. You’ll have to wait and see. We’ve got
ideas.
Alex: I recognised a
few faces in the music video. How many musicians, artists, and people in the
scene were involved?
Charlie: Only half the ones that we actually invited. There
were probably forty odd people that came, maybe 10 or so bands. It was all
friends, people that we play with, people that we know, flat mates, work mates.
When we started to invite people, we realised that the majority of people we
know are muso’s, so we tried to get as many faces as we could in there. We were
super stoked with how it turned out.
Alex: You guys are
going on tour with some other kiwi acts soon?
Ross: Yeah, Decades from Christchurch are the headliners,
Skinny Hobos are Auckland based, and Bakers Eddy are from Wellington. So
it’s a country-wide coming together of rock forces. We’re really looking
forward to it.
Charlie: Our first proper national tour as Dead Favours, so
we’ll be playing everywhere for the first time.
Alex: You have
obviously toured the country before with previous bands. Where are you looking
forward to playing again?
Ross: Looking forward to getting back to Dunedin, because
I’ve only been there once, and that was a good time. Although I was there in
November, so I’m a little bit worried about the cold. That’s the Aucklander
coming out of me. That should be fun, it’s the last gig of the tour as well.
Charlie: South Island crowds get way into it, so that’s what
I’m looking forward to definitely.
Ross: Wellington. I haven’t been there in 10-12 years. I’m
just looking forward to the whole tour.
Alex: Dead Favours
are also performing at the Auckland Rockfest. Are you looking forward to that?
Charlie: Yeah, it’s well overdue that someone did that. It’s
a shame that it isn’t going to be able to be an annual Kings Arms thing, since
they’re closing down in the new year. But I reckon the Rockfest is going to be
awesome. The scene has changed in the last five or so years, in a good way,
from bands competing for space, to bands supporting each other, coordinating in
a positive sense.
Alex: Did they used
to compete for a few venues?
Charlie: Yeah, or for airtime and attention. It’s been
coming together for the last few years for sure. But yeah, the Kings Arms is
everyone’s favourite venue to play for a crowd that size. You don’t necessarily
need to soundcheck; you can trust in the venue and trust in the sound guy, and
trust it will be a good gig.
Alex: The first two
batches of tickets to the Auckland Rockfest have sold out already, with one
last batch remaining. What are the people who haven’t bought their tickets
missing out on?
Charlie: Rock and Roll!
Ross: It’s going to be a big party
Charlie: We’re going to do a three-hour super set of Prince
covers. Nah, we’ll have our new single out by then, so you’ll be able to
experience that live. Who else is on the bill? Ekko Park is headlining,
Setting Fire to Stacey, Dead Beat Boys, Armed in Advance, Skinny Hobos,
Written by Wolves (we played with them not long ago, they do a really good
gig), Quinn the Human as well.
Ross: It’s going to be a really good day. Lots of people
coming together. It’ll be good meeting the fans.
Charlie: I’m hoping we’re playing early so we can get drunk
sooner. That’s the benefit of not being a headline band.
Alex: That would stop
you if you were to headline?
Charlie: Somewhat.
Ross: We’re a sensible band. We try to be. That’s what we
are trying to get across.
Alex: So, no huge
touring stories to come out of this one?
Charlie: Oh, definitely will be!
Alex: Just only after
the gig has happened.
Charlie: Probably just after, but we are playing second so
that’s sweet. I’m pretty happy with that
Alex: Your next tour
dates are supporting Decades upcoming debut album All Our Truths. Where and when will you be playing?
Charlie: Here’s a handy leaflet we found at the café just
before:
14th July – Hamilton – Gravity Bar
15th July – Auckland – Galatos
22nd July – Wellington – Meow
28th July – Christchurch – Blue Smoke
29th July – Dunedin – Refuel
Alex: And after that
the Auckland Rockfest?
Charlie: Kings Arms 19th of August
Alex: Time for one
final question. If you had to pick a fellow bandmate to be stuck on a deserted
island with. Who would you pick and why?
Ross: Kyle, because I’d just eat him. Straight away.
Charlie: Maybe Jared. He’s quite cosy. He’d be good for a
cuddle
Chris (photographer):
When do you reckon the EP will be coming out?
Charlie: I don’t know. We have three tracks but they are all
singles. One’s out, and the next will be released soon, so it makes no sense to
release the EP when all the songs are out there. We need more to add to it. So
we are looking at adding an acoustic track, or doing a live recording. Once the
tour is over, we’ll have the time to look at what we are doing.
Credits:
Filmed by Chris Morgan
Audio by Chris Morgan
Interviewed by Alex Moulton
Title Screen by Chris Morgan and Blake Jones
Filmed on location at Aeroplane Music, Auckland
Combining a mix of huge fuzzy and sometimes quirky riffs, groove-laden drums, beautiful falsetto vocals mixed with arena commanding screams and a level of songwriting that some say has been missing from rock for some time, Dead Favours have been quick to grab the attention of the New Zealand music scene and are going from strength to strength in a very short time.
Since their formation in early 2016, the band have released a string of singles, the most notable to date being Dig (produced by Shihad’s Tom Larkin), a riff-centric banger that quickly grabbed the attention of both audiences and radio programmers alike, spending an impressive 27 weeks in the charts. The success of this debut single lead to a nationwide tour alongside the already popular Skinny Hobos, Decades and Bakers Eddy which saw the band increase momentum and pick up an army of new fans all around the country.
The band quickly followed with the singles High Flying and Better The Weather (produced again by Tom Larkin) which has seen the band go on to be invited to perform at festivals such as Jim Beam Homegrown, Demon Energy Rock The Park and share the stage with international acts Royal Blood and Rise Against which was received with rave reviews;