23 Dec 2024
Mercury Crowe - Mercury Crowe - Set Your Mind To Fly Album Review
08 Jun 2009 // A review by Shade
Mercury Crowe are a straight-ahead rock band. They are straight ahead, though, not in that their songs lack inventiveness or freshness, but in the sense that they clearly just want to write good tunes. That’s it. That’s what they’re about. Don’t expect to see them in Mighty Mighty on a Saturday evening doodling away at a synthesiser while wearing stovepipe jeans, or flairs, or whatever the hell it is those indie hipster kids wear these days. No, Mercury Crowe aren’t particularly keen on following trends, playing retro tunes, or fitting in to any particular musical style; they simply want to write interesting, bluesy, memorable rock songs. And they are memorable; they’re damn good songs.
Set Your Mind to Fly is their second EP release, the first being eponymously titled, and the difference between the two recordings is stark. Mercury Crowe was, to be fair, a perfectly enjoyable piece of music, but that’s about it. In the two years since its release, the band has played a whole lot of gigs (more than fifty in 2008 alone) and written a bunch of new songs, and they’ve certainly got their shit together. The weakest song on Set Your Mind to Fly beats the strongest from their first recording easily, while the best really hits the spot and then some. Stand-outs from the EP include ‘Pandora,’ a catchy-as-swine flu ballad that will get in your head and stay there, ‘When the Red Light’s Gone’ (with Ed Zuccollo of Harbour City Electric guesting on the organ, and the phenomenally prolific Lisa Tomlins on back-up vocals), and the damn fine ‘The Game.’
To be fair, not every track on the album is a king-hit winner. But, in order to write this review, I absolutely thrashed this CD for two days straight, and, remarkably, I’m not even close to putting it away on my shelf – I think it’ll be staying in my stereo for some time to come. This, I should perhaps mention, is unusual for me. In short, at the very least I suggest checking these young men out live when you get the opportunity (if this year’s gig schedule is anything like 2008’s this shouldn’t be a problem at all), or, better yet, grab a copy of their beautifully designed, screen-printed and hand-assembled new EP.
Michael Hemminsen – Salient May 2009
Mercury Crowe are a straight-ahead rock band. They are straight ahead, though, not in that their songs lack inventiveness or freshness, but in the sense that they clearly just want to write good tunes. That’s it. That’s what they’re about. Don’t expect to see them in Mighty Mighty on a Saturday evening doodling away at a synthesiser while wearing stovepipe jeans, or flairs, or whatever the hell it is those indie hipster kids wear these days. No, Mercury Crowe aren’t particularly keen on following trends, playing retro tunes, or fitting in to any particular musical style; they simply want to write interesting, bluesy, memorable rock songs. And they are memorable; they’re damn good songs. Set Your Mind to Fly is their second EP release, the first being eponymously titled, and the difference between the two recordings is stark. Mercury Crowe was, to be fair, a perfectly enjoyable piece of music, but that’s about it. In the two years since its release, the band has played a whole lot of gigs (more than fifty in 2008 alone) and written a bunch of new songs, and they’ve certainly got their shit together. The weakest song on Set Your Mind to Fly beats the strongest from their first recording easily, while the best really hits the spot and then some. Stand-outs from the EP include ‘Pandora,’ a catchy-as-swine flu ballad that will get in your head and stay there, ‘When the Red Light’s Gone’ (with Ed Zuccollo of Harbour City Electric guesting on the organ, and the phenomenally prolific Lisa Tomlins on back-up vocals), and the damn fine ‘The Game.’
To be fair, not every track on the album is a king-hit winner. But, in order to write this review, I absolutely thrashed this CD for two days straight, and, remarkably, I’m not even close to putting it away on my shelf – I think it’ll be staying in my stereo for some time to come. This, I should perhaps mention, is unusual for me. In short, at the very least I suggest checking these young men out live when you get the opportunity (if this year’s gig schedule is anything like 2008’s this shouldn’t be a problem at all), or, better yet, grab a copy of their beautifully designed, screen-printed and hand-assembled new EP.
Michael Hemminsen – Salient May 2009
About Mercury Crowe
The nine-track album credits song-writing from all four band members and features long time collaborator Ed Zuccollo (Harbour City Electric) on Hammond Organ, and the phenomenal Lisa Tomlins (Fat Freddies Drop, Hollie Smith) singing backing vocals. It’s a big step forward from their debut e.p ‘Mercury Crowe’ (2007) and, while both were similarly produced, mixed and designed by the band themselves; it’s clear the year-and-a-half between was spent honing their craft from the stage. The result is nine well delivered, road tested, sing-able rock n roll songs.
Visit the muzic.net.nz Profile for Mercury Crowe
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