There’s no debating that Shapeshifter are one of New Zealand’s most successful musical exports, and it’s not hard to see why. Shapeshifter are quite simply phenomenal and because they’ve proven it to me so many times before, I’m always expecting amazing things with the release of any new singles, albums or live tours. System Remix though, is quite different. The idea for the album is that Shapeshifter have given free reign of their System is a Vampire tracks to local and international DJ’s and producers alike – from superstar Netsky, to Wellingtonian up-and-comer Dhalsim.
I’m always a bit cynical when it comes to remix albums, and it’s especially hard to know how to deal with them when you’re reviewing them. Because I guess, in essence, System Remix is a showcase of the producers who remixed the original tracks as opposed to Shapeshifter themselves. All that confusion aside though, System Remix is pretty badass album.
The opening track Dutchie has been given a faster, funkier overhaul by the always talented State of Mind. However, their remastering of the amazing Electric Dream was definitely one of my favourite points on the album. Speeding up the track and giving it a more echoed sound, State of Mind managed to make the track even more danceable, if you can comprehend that. The surprise highlight of the album is the Dhalsim remix of Longest Day. A rookie compared to the other huge names on the album, Dhalsim gave Longest Day a subtle but fresh rebirth, managing to find that balance between making the song his own while still keeping that authentic Shapeshifter sound, which seems to embody what the album is all about.
One thing that I felt bought the album down was the decision to include more than one remix of each song – The Touch features on the tracklist three times. While the track has of course been given a completely different touch (get it?) by each producer – Netsky gives it a real digitalised makeover while Pacific Heights chose to go the slower, more whimsical route – it’s still hard to shake the feeling that there was a missed opportunity by not including revamped versions of tracks like Fire and Warning.
The collaboration of artists who worked on this album have created what I’ve come to expect from any Shapeshifter album though, and that is to craft music that makes you want to dance, to feel, to go forth and conquer. The many different styles have combined to produce something fun and freaky, and as far as remix albums goes, this one is definitely one for the collection.
Words by Kate McCarten
Record-breaking New Zealand tours, scene-setting appearances at festivals like Glastonbury, The Big Chill, Big Day Out and Parklife, sold-out performances across Europe, multiple music awards, four EPs and five LPs — three with platinum sales — and an army of fans who return to relive the experience time and time again.
These are just some of Shapeshifter’s towering achievements.
The five-strong lineup of PDigsss (vocals), Sam Trevethick (guitar/synths/sampler), Dan McGruer (synths/sampler), Nick Robinson (bass/synths) and Darren Mathiassen (drums) have created their very own heavy soul; a stadium-sized sound which adds layers of drum & bass, jazz, funk, rock and electronica to solid bass culture foundations.