25 Dec 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

2 a.m. Orchestra - Working to Divide Album Review

13 Aug 2013 // A review by Peter-James Dries

It was only November last year that I had the chance to review the band’s trippy hand drawn music video Heads & Tails, but the anticipation building around their forthcoming release Working to Divide has extended that nine months by half.

Back in April I looked over Live at Lopdell House Theatre, 2 a.m. Orchestra’s intimate live album. A collection of acoustically reinterpreted songs, new and old, Live at Lopdell, showed us just how dynamic the band really are, and gave a taste of what was to come on Working to Divide.

2 a.m. Orchestra have done well in sustaining my interest. And now they’ve sated my anticipation. 

I’ve just received word that after four long years, Working to Divide is finally finished and is slated for release next month. Better still I have in my inbox a Promo Pre-Release. I’d hate to spoil it for other people, but I have to say it is amazing. Well worth the four years of effort front man David Kelley and his co-conspirators have put into it.

Previously featured tracks from Live in Lopdell and the Fire Escape EP make an appearance, including the ever-catchy Heads & Tails and perhaps my new personal favourite, the faintly Muse-ish Six Lines of Ash

Staying true to form, each track has a different sound and emotion to the last, and sometimes even a different genre, though the influence of early Radiohead remains dominant. 

For example the track Unstuck sounds like something off College Pop Rock in the late 90s, the following track Have It Your Way is textbook Cobainian grunge, yet Fire Escape is a Folk Rock journey with orchestral tinges that ends with a ukelele strum. The titular last track is a nine and a half minute epic that begins as a lullaby then crosses between Acoustic Folk and Progressive Rock, not unlike any two sides of a spectrum fighting for dominance.

Despite being in constant artistic flux, the album’s flow has being carefully managed.  It ebbs and flows in a seeming natural rhythm, in no small part owing to Kelley’s fastidious eye for detail. 

A musician myself, I know how hard it is to listen to your own creations objectively after spending hours a day staring that the mixing board. With his seemingly obsessive perfectionism I'm sure David Kelley is no different, so I emplore you to try this album when it comes out. Give it a listen, and tell someone what you think of it. Drop David a line on the 2 a.m. Orchestra Facebook even. 

If you haven’t yet, check out the Sneak Peak at Working to Divide on Youtube (http://youtu.be/0HAenYamrgk).

From September 24th Working to Divide will be available on iTunes, Amplifier and the 2 a.m. Orchestra Bandcamp (http://www.2amorchestra.com/). In a practice admonished by record labels everywhere, Working to Divide is potentially free, as the band is using Bandcamp’s “Pay what you want” option, though as a sign of support for a hard-working band that is doing this all for you, I'm sure they won't say no to a bit of monetary encouragement and thanks. 

Working To Divide
View Track Listing
 

About 2 a.m. Orchestra

Based on an epidemic of insomnia-inflicting inspiration, 2 a.m. Orchestra was the name chosen by David Kelley while working on some recordings in early 2000. Just prior to the release of what would be the first album (2 a.m. Orchestra, 2001), Kelley formed and prepped a band to play in support of the release. From that time, the live line-up has varied widely, from a 2-piece snare drum and guitar duo, to an instrument-swapping 6-piece. Kelley did a number of U.S. tours with these various line-ups (and even a solo tour). Such personnel fluctuations continued on up through the 2nd full-length release, Impermanence (2005), which proved to be an apt, if not intentional title as the ever-changing live show became the band’s most noted characteristic.

After the release of Impermanence Kelley began travelling, living abroad and performing in various locations such as New York, Central America and even China. 2 a.m. Orchestra was put on the back-burner while Kelley toured with various projects: a country band that did shows for troops at international military bases, a theatre company performing a rock opera, and a percussion trio that gigged at state fairs. However, Kelley continued to write and record throughout this period. During two consecutive summers, the songwriter made a makeshift project studio from his grandmother’s country house located on the outskirts of his hometown (Fresno). These periods were spent compiling, writing, and recording a significant percentage of what now constitutes the entire 2 a.m. Orchestra catalogue (the vast majority of which remains unreleased).

Over the years, 2 a.m. Orchestra has primarily remained a solo endeavour – a one-man recording project with occasional outbursts of live performances. One such outburst occurred in 2008, a year after Kelley moved to Los Angeles. The L.A. band was a four-piece powerhouse with a turbo-charged rhythm section, gritty vocals, and surf-tone guitars. The band played sporadically, packing out indie venues like The Derby and Molly Malone’s.

Visit the muzic.net.nz Profile for 2 a.m. Orchestra

Releases

2 a.m. Orchestra
Year: ????
Type: Album
Trading Graves
Year: 2020
Type: Album
Working To Divide
Year: 2013
Type: Album
Live At Lopdell House Theatre
Year: 2013
Type: Album
Fire Escape
Year: 2010
Type: EP
Impermanence
Year: 2005
Type: Album

Other Reviews By Peter-James Dries

AJA - Album Review: Kawai
13 Dec 2024 // by Peter-James Dries
Bilingual albums shouldn’t be special; they should be the norm. Or at least more common.
Read More...
Ra Charmian - Album Review: Waiata Wairua
08 Oct 2024 // by Peter-James Dries
Waiata Wairua is an album that wouldn’t feel out of place performed in a late night jazz hall in some alternate history where the successes of the Maori battalion lead to a proliferation of Te Reo worldwide. The sort of interest that saw your dad singing in French in the 60's, when Mireille Mathieu was knocking about.
Read More...
Ben Lloyd - Album Review: Leap of Faith
26 May 2024 // by Peter-James Dries
For over 30 years, this self-taught rocker from Mt Maunganui has been writing music. Now, for the first time since 2013, we finally get to hear his songs.
Read More...
Yann Le Dorré - Album Review: The Circus is Closed
19 Dec 2023 // by Peter-James Dries
“We are Sex Bob-Omb and we're here to make you think about death and get sad and stuff!” - Scott Pilgrim vs.
Read More...
Sanoi - Album Review: Echoes Of Home
25 Nov 2023 // by Peter-James Dries
Electronica offers no escapism for me. It’s more of what I already have.
Read More...
Throng - EP Review: Decoherence
20 Oct 2023 // by Peter-James Dries
You know that thing where the letter B has a personality, or words have textures and colours? That’s called synaesthesia.
Read More...
Fortress Europe - Album Review: Old World
10 Oct 2023 // by Peter-James Dries
Have you ever been torn between listening to Mozart or Periphery? Does Epica have too much of that darn singing for your tastes?
Read More...
Yurt Party - Album Review: Yurt Party
07 Sep 2023 // by Peter-James Dries
It sure isn't summer, and this is really not the Balkans, but Yurt Party’s new self-titled album refutes that. Back with another one of them Balkan rocking beats, Yurt Party’s debut is jazzy, erratic, and full of zest and energetic grooves, with flavour notes of ska, dub, and bergamot.
Read More...
View All Articles By Peter-James Dries

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem