The true mystery of Cairo Knife Fight is how one band can manage to make so much noise with only four hands between them.
This is no doubt something I'm sure Nick (Gaffaney, band backbone) must be getting sick of hearing, and the answer involves feet, but it's still worth keeping at the back of your mind when you listen to this band, and something you won't forget when you see them live.
My introduction to Cairo Knife Fight was the Head Like A Hole gig back in 2011. I got in early enough to hear the duo during sound check and was impressed. I stayed for their set, and I was blown away.
You can read my first impression of their sound yourself in the muzic.net.nz review archives, but I recall it going something like "The music is progressive and unique; a strange mash-up of psychedelic and doom metal tributes to screamo, scene and -core break downs. I text a friend and tell him that this band could be better than Tool."
Not under the influence of alcohol for this experience, and a tipple more refined in my musical taste since the gig three years ago, I can properly describe the sound of CKF as more Queens of the Stone Age styled stoner rock than polyrhythmic progressive metal.
I am basing this description on the band's new single Rezlord, which has been doing the rounds on all good radio stations since its official release sometime between July 28th when it was posted on Soundcloud, and August 7th when the band announced its iTunes release.
On first listen Rezlord sounded as 70's as the porn moustache. All that fuzz, all the drum rolls, the riffage. The second listen brought on waves of nostalgia, as I tried to remember that I'd heard the song on the radio already, not realising it was Cairo Knife Fight.
The third listen is when I actually took the time to appreciate the song, riff after lick after roll. All the different fuzzy layers. It did take a few listens to appreciate everything that's going on in the song, but that's the sign of a good song. If you can appreciate a song first time, and can still listen to it over and again to hear the different parts that make up such a catchy song, then it isn't shit.
Rezlord was shorter than I'm used to for a CKF song, but then again, this is a single. After all these years radio, and perhaps the general public, aren't quite ready for a ten minute single yet, even if the single is as catchy as Rezlord.
If you haven't heard Rezlord yet, finish reading this an listen to it. If you like New Zealand music, and rock, and fuzz, and catchy music, then I don't understand why you haven't heard this. These guys opened for the Foo Fighters, show some respect!
While you do that, I'm going to sit and wait patiently for Cairo Knife Fight's debut full length record The Isolator, allegedly coming in October, and with any luck a tour with Shihad sometime soon. If this single is anything to go by, the album is going to be huge.
You can listen to Rezlord on Soundcloud, buy it on iTunes or request it on the Rock, though you shouldn't have to; the song's a beast so it's getting the appropriate level of airplay it deserves.
Cairo Knife Fight is Nick Gaffaney, a man who has drummed his way around the place for many of New Zealand’s leading songwriters, and George Pajon Jr, a Grammy award winning songwriter and guitarist who has worked with some of the biggest names in the international music business including The Black Eyed Peas, Fergie, Carlos Santana, Macy Gray, John Legend, Sting, Nas and Damien Marley. Forming as a duo in 2009 Cairo Knife Fight try to redefine what two musicians can create live with Nick combining the responsibilities of playing drums, keyboard bass, creating live loops and lead vocals with George’s seemingly limitless guitar soundscapes and incendiary riffs. The bands long history of dedication to pushing the boundaries of music video content has also seen them achieve viral status with their 2014 single Rezlord being viewed more than 11.7 million times.
In short order the band shot to the attention of the public after gaining a standing ovation from a packed Opera House in Wellington following their support set for UK act Gomez in late 2009 and being hand picked by Them Crooked Vultures to open for their New Zealand tour in early 2010 July 2010 saw CKF release their self-titled EP. The first single This is Love was included on the NZ Radio Hit Disc for mid 2010 seeing it rated as one of the songs of the year. The EP went on to be nominated in the 'Best Rock Album' category at the New Zealand Music awards in 2011. 2010 also included a trip the NYC to perform during the CMJ festival (while not actually a part of CMJ the band came to the attention of several members of the team and found themselves on a CMJ bill at the Bowery Electric) and touring Australia.
2011 was an extraordinary year for CKF. It began with a NZ tour with NZ's rock hall of famers Shihad in January before Them Crooked Vultures front man Josh Homme once again requested CKF to be the opening act for his Queens of The Stone Age NZ tour in February, which was disrupted by the deadly earthquake in Cairo Knife Fights hometown of Christchurch. While dealing with the aftermath of such an horrendous event the band took solace in recording the follow up EP II, released in August 2011 to 5 star reviews and top 40 chart placing’s, and to appear as special guests of the Foo Fighters for an earthquake benefit concert in Auckland, NZ. CKF rounded out the year by again joining the Foo Fighters onstage at Western Springs in Auckland, New Zealand in front of 45,000 people for the band's Wasting Light tour. The concert is considered one of New Zealand's biggest ever stand-alone shows.