I was finding it hard to believe that it’d been over 18 months since I last saw Beastwars play in Wellington as I stumbled on down to the newly refurbished San Fran in Wellington last week. I’m not sure why it’d taken me so long to go back to Wellington’s number one metal (or at least heavy rock) band, especially since they’d never disappointed me before.
I was expecting a big show from them, having just come off the back of a quick tour of Australia, then straight into a four stop tour of New Zealand with American sludge band Windhand. This was the second-to-last night of the tour, and a homecoming of sorts, so I had a feeling it was going to be a good one.
Expecting a typical Wellington show I turned up late and missed the opening act Mermaidens, who by all accounts played a super set of dreamy, jangly, droney sort of pop rock. I’ll be making an effort to catch them in the near future.
As soon as they hit the stage it was easy to see that this was a band that had just kept improving since I last saw them, and that’s no easy feat. Everything was just right as the massive riffs rolled over the sold out crowd, and it was like coming home. There was a comfortableness to seeing Matt Hyde stalk the stage, glaring menacingly into nothingness, with arms thrown into the air, growling out his lyrics – or as comfortable as that’s ever going to be. The rest of the band drove, nay, pummelled us with each song, as we heard from their whole catalogue; they played better than I’ve seen them play before – whether it’s a combination of being home, or the stint of touring they’ve just done, I don’t know, but whatever it was, it’s really showing in their live performance.
We stumbled out afterwards into the Wellington streets, dazed, more than a little deaf, and in awe of our hometown heroes, just like every Beastwars show before it.
Oh, and Windhand from America also played, but this review is really about the awesome power of New Zealand’s own Beastwars. To be fair I wasn’t overly familiar with Windhand’s music (okay, okay, I’d never heard them before) but I was impressed enough to check out their latest album Soma afterwards. They were heavy, but not really overpoweringly so, and had a spacey, psychedelic feel to them (I guess that’s the stoner part of stoner-doom) that gave the music a really interesting depth. Did I mention they were also heavy…
New Zealand sludge metal four-piece Beastwars abide by one steadfast maxim: Obey the Riff. Described as "a mongrel mix of Kyuss, Neurosis, and the mighty Godflesh..." (NZ Herald) and playing "heavy tunes for heavy times" (ALARM), the Wellington-based sonic soothsayers utilize the chaos that engulfs our world as ammunition for their defiant howls into the abyss.
Two years on from their internationally acclaimed, self-titled debut, Beastwars return on 20 April 2013 with Blood Becomes Fire. The new album serves witness to the end of days, told through the eyes of a dying traveler from another time. It is a work inspired by eternal themes. "It's a reflection on mortality, death and disease. Sooner or later they come for all of us and we've all screamed to the gods for answers, not that they've ever come."
On Blood Becomes Fire Beastwars hammer the story home with concussive force. "It’s a heavy album, both sonically and lyrically, but what solidifies it are the really triumphant 'fuck yeah' riffs. To us, this music is like getting psyched up to go into battle. You could be at war with someone else or yourself.”