The Auckland leg of the tour took
place on K Road’s underground Whammy Bar, which due to some unknown issues
ended up opening doors late. This had a knock-on effect of cutting down the
opening bands set lengths, to the point where by the time everyone who had been
waiting outside had been granted access to the venue, the opening band The Dark
Third was finishing up their second to last track of the set.
Next up on stage were the progressive rock trio, Mothra.
Their instrumental style is a beautiful collage of heavy and light in a manner
that rivals the instrumental workmanship of Tool, or perhaps even exceeds it as
the set requires no vocals at all, and does not suffer for the lack of them.
One of the big reasons that they impress live is their drummer, James
Armstrong, who unlike the bands of the mainstream world, actually uses the drum
kit as an instrument and not just as a glorified metronome. Hugh Allan and
Reuben Saffer on guitar and bass respectively work together building layer upon
layer of riffs to uncommon time signatures that have the crowd headbanging.
Finally, Alcest take to the stage to the backing track of Onyx, before heading straight into title
track from their latest album Kodama.
Drums, guitar, and bass are taken up by Winterhalter, Zero, and Indria
Saray respectively, all dressed in black on the left side of the stage, while
lead vocalist and guitarist Neige takes position on the right, dressed in white.
Four tracks into the set, Neige finally says a few words between tracks, to
greet the audience and thank them for coming, before getting back into the set.
A group of few words, you could see they were enjoying the cheers and applause
that they were getting from the packed crowd in tiny New Zealand (ignoring the
heckling from drunk Vince in the back).
Nearly half of the setlist came from the most recent release Kodama, though Écailles de Lune also took up a significant portion of the show. Their specific brand of atmospheric black metal is both heavy, and uplifting, with stunning harmonies on vocals between Neige and Zero on tracks such as Autre Temps from the 2012 album Les Voyages de L'Âme, and title track from 2007 album Souvenirs d'un autre monde. This contrasts the abrasive screaming vocals of Eclosionand Là où Naissent les Couleurs Nouvelles, and yet the songs fit together so well. With a more basic time signature to the music, heavy djents and more predictable rhythms, the audience were headbanging in unison throughout the show, rapidly heating up the venue, as they jostled to get closer to the stage.
Alcest took full command of the crowd, whether allowing them time to rest, or
commanding them to rage and mosh, all by striking a chord on their instruments.
A brilliant demonstration, that was well received by all.