22 Nov 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Bill Direen and The Bilders - Album Review: Chrysanthemum Storm

22 Aug 2017 // A review by Peter-James Dries

I wasn’t old enough to lament the discontinuation of the vinyl, so I’m not invested enough in the medium to be a part of the resurgence. But I’m not so blind as to know it isn’t happening on the peripheries of my attention span.

Last month, as if just to spite me, Trent Reznor and his Nine Inch Nails went full vinyl with their remastered, reissued, definitive editions, just as I had completed as much of the CD collection as I could be bothered with, and could afford.

Nice Inch Nails may seem like a strange reference when reviewing Bill Direen. I doubt they share a fan base, and people from either camp may stare blankly and ask “who?” The small overlap of audiences that know both will question what I’m on.

When you encounter something unknown and unfamiliar, it is good to find a common ground to build your understanding from. But what common ground could an Industrial band and pre-Alternative Rock group possibly have.

Nine Inch Nails are a group worlds apart in style and sound, yet from what I can see are strikingly familiar in ethos to Bill Direen, who has just re-released his nearly ten year old album, Chrysanthemum Storm on vinyl this August.

Aside from the tenuous connection of the vinyl reissue, the commonality is that both NIN and Bill Direen & the Bilders are experimental bands supporting a central poetic figure, a tragic genius who can’t help but breathe creativity, with a thing or two to reflect upon and a rotating cast of characters to fill in as surrogate fingers on the many instruments.

While I had seen the poster on Cuba Street for the upcoming film documenting Bill Direen, I had never heard the name. Him nor his Bildereens, Bilderbergs, Bilders or otherwise named band.

I didn’t own the original CD, so I can’t tell you if this better – though vinyl purists will praise the warmer sound – but I can tell you, from a cursory Google, that the tracklist remains true to the original release, albeit with a couple of minor name tweeks here and there, the most notable being the change from Luza Sweepaz, a name like a 90's rap group, to Losers Weepers.

That’s probably the stand out track for me, if only because it’s the most relatable to someone with my generational disposition. Where other tracks feel like the music is the soundtrack to a collection of spoken word pieces, Losers Weepers has that rise and fall that fits the Verse Chorus Verse structure of the Rock songs of my age. That and album opener Nobody’s Fault.  

There are pieces of Pink Floyd-like experimentation. Like the Psychedelic Rock jam without the Psychedelic aspect, with the group in tune to each other’s vibrations enough to not devolve into a free-form Jazz session.  

There are husky voiced Leonard Cohen like stories, narrated by Direen, no doubt a poet in another life. Emotion where emotion is due. A whisky, a cigar and a reverie. Reflections on times and peoples gone by. Songs that are real, not candy coated and auto-tuned, that exist to shift units.  

There are pieces that feel like an observational comedian standing in a bingo hall or dive bar (before they were cool) or empty Honky-Tonk floor, narrating the lives of the patrons. Character Studies and word play and humour. A good synopsis of the album.

I’m not the target audience here, I’m not part of the niche market, but that’s OK. I can find references and relatable aspects in the music that I can enjoy. If you remember the band, you’ll probably enjoy it too, or if you’re from the world before our collective imagination and attention span were wiped clean by the instant gratification streaming music and cellphones provide. If anything it’s got me interested in the documentary I saw advertised, just to see the creative process behind the band, and the man, the legend, Bill Direen.

 

About Bill Direen and The Bilders

Bilders is the professional appellation for many different groups led by New Zealand singer-songwriter Bill Direen. Direen began recording in 1978, when working as a community reporter and DJ for a provincial radio station (Radio Marlborough). He is known for literate lyrics, challenging song-subjects and a hands-on recording style that has produced "many genuine classic compositions" [John Dix, Stranded in Paradise]

The first Bilders appeared in 1980 performing material assembled or recorded between 1975 and 1980. Other collaborations have happened in NZ and overseas. The most recent Bilders completed national tours in 2007 and 2008 with Powertool Records. Direen works freely with independent musicians, and collaborations are usually titled Bilders (sometimes... The Builders !) [Bilders poster by Lesley Maclean]


Visit the muzic.net.nz Profile for Bill Direen and The Bilders

Releases

Split Seconds
Year: 2023
Type: Album
Move Along Love Among
Year: 2021
Type: Album
Cut
Year: 2018
Type: Album
Chrysanthemum Storm
Year: 2017
Type: Unknown
Beatin Hearts
Year: 2016
Type: Unknown
Schwimmen In Der See
Year: 1982
Type: EP

Other Reviews By Peter-James Dries

Ra Charmian - Album Review: Waiata Wairua
08 Oct 2024 // by Peter-James Dries
Waiata Wairua is an album that wouldn’t feel out of place performed in a late night jazz hall in some alternate history where the successes of the Maori battalion lead to a proliferation of Te Reo worldwide. The sort of interest that saw your dad singing in French in the 60's, when Mireille Mathieu was knocking about.
Read More...
Ben Lloyd - Album Review: Leap of Faith
26 May 2024 // by Peter-James Dries
For over 30 years, this self-taught rocker from Mt Maunganui has been writing music. Now, for the first time since 2013, we finally get to hear his songs.
Read More...
Yann Le Dorré - Album Review: The Circus is Closed
19 Dec 2023 // by Peter-James Dries
“We are Sex Bob-Omb and we're here to make you think about death and get sad and stuff!” - Scott Pilgrim vs.
Read More...
Sanoi - Album Review: Echoes Of Home
25 Nov 2023 // by Peter-James Dries
Electronica offers no escapism for me. It’s more of what I already have.
Read More...
Throng - EP Review: Decoherence
20 Oct 2023 // by Peter-James Dries
You know that thing where the letter B has a personality, or words have textures and colours? That’s called synaesthesia.
Read More...
Fortress Europe - Album Review: Old World
10 Oct 2023 // by Peter-James Dries
Have you ever been torn between listening to Mozart or Periphery? Does Epica have too much of that darn singing for your tastes?
Read More...
Yurt Party - Album Review: Yurt Party
07 Sep 2023 // by Peter-James Dries
It sure isn't summer, and this is really not the Balkans, but Yurt Party’s new self-titled album refutes that. Back with another one of them Balkan rocking beats, Yurt Party’s debut is jazzy, erratic, and full of zest and energetic grooves, with flavour notes of ska, dub, and bergamot.
Read More...
day13n - Album Review: /7/13/7/
06 Aug 2023 // by Peter-James Dries
I’m too old for this world. We’ve devolved to the point where music is only as good as the soundtrack to your 10 second TikTok, and the thirty thousand copies recycling the idea.
Read More...
View All Articles By Peter-James Dries

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem