This EP is for all the beautiful souls that dance up the
front of a His Masters Voice performance, it is for the people that close their
eyes and feel the music, for those that loose themselves in the music, the
souls that get Goosebumps and go on journeys in their minds when the music hits
that perfect note.
This is a very clever recording with three songs the band
already perform live but the crowning glory in this EP is their new song Woman, although that is a VERY hard call to make as the other three songs all invoke
the memories in me of the different times I’ve seen His Masters Voice, in Wellington
when I accompanied them down on the mammoth road trip down and back in two
days, or Hamilton last year when Az blew my mind with some American Music
opportunities, New Plymouth at Brutalitee’s Birthday Bash and of course all the
times I’ve seen them in Auckland. There’s not a lot of bands I go out of my way to see whenever I can,
other than the bands I mange, purely because of time restrictions, but His
Masters Voice is different, it is one of those bands I can’t get enough
of! No matter how I’m feeling before a
performance I come away with my soul refilled and glowing. Now I know this is meant to be a review of
their recording not their live shows but THIS is an EP you can close your eyes
while listening to and see the band performing in your mind’s eye as the
quality of this recording is PERFECT! The
levels, sound quality, JESSE’S VOCALS! The warmth, the soul, the energy is all perfectly captured in this EP.
There’s not a lot of recordings around that capture the soul
of the music and reflects the warmth of the vocals but that is the first thing
I noticed about this recording is that it captures the live essence of the band
perfectly, especially Jesse’s voice and as Jesse has one of the most soulful vocals
in New Zealand this is probably the best recording I’ve heard of his
voice. The same can be said for the
energy of the music accompanying Jesse’s voice. It’s hard to imaging His Masters Voice just standing still recording
while making this EP I can imagine them running around and jumping around in
the studio, like they do on stage.
This EP needs to be listened to in order as the first and
last tracks invoke introspective feelings and the middle two celebrate life,
dancing and are filled with a lot more energy. I often focus on one particular song that calls to my soul while writing
a review but it’s impossible to choose a favourite on this EP as they are all
individually and collectively, masterful, soulful pieces. Burning draws you in and Woman releases
you and both of these songs invoke images of Smokey saloon or Jazz bars with dapper
men and pin up style women.
The EP kicks off with Burning which starts with one of the
most soulful introductions to an EP ever! It’s almost like a conjuring, it pulls you in and makes you focus on the
guitar and then Jesse’s voice and Rene’s drums takes over and pulls you further
and further in building up to the perfect climax about 2.44 mins in with THOSE
DRUMS! Then it’s all on soaring, singing
guitars, Brandon’s funky bass line then slowly back to the start with the same
guitar and conjuring vocals releasing you back to reality for a short moment
until Evil kicks off.
Evil is one of my favourite songs live, of His Masters
Voice, because I love the rhythm section in music and I always connect with the
bass and drums and this song is very heavily bass orientated. That damn bass line is just as sexy as Black
Sabbath’s Evil Woman. But with Az’s
guitar solo’s layered over the top with Jesse’s vocals it’s a whole other level
of beauty. This paragraph has taken
about 20 attempts to write because I keep jumping up to dance around like the
maniac I am and the same can be said for the third track What Do I Look Like it has the same energy as Evil. These
songs live are probably my favourite live songs from any New Zealand Rock n
Roll band as it’s so much fun to jive and headbang because while they are very
much soul based Rock n Roll with Rene on drums there are cheeky double kicks
and heavier fills here and there which ALWAYS make me head bang and like Az’s
guitars you never know what you are going to get live.
Now it’s time to say goodbye with Woman. This song was one I had been looking forward
to the most out of any new release all year because every time I’ve seen Rene
and Az in recent months this is the song they always talked about, especially
Az and after FINALLY hearing it I can see why. It is an emotional journey, it is beauty, it is love, it is happiness
and it is pain.
Every time I’ve listened to this song while writing this review I’ve had different physical responses but each time I have tears in my eyes. The introduction is beautiful and haunting with stunningly simple guitars accompanying Jesse’s vocals which almost evoke feelings of listening to a conjuring but when Jesse hits those high notes before the rest of the band comes in, it is a whole body physical response with full body goose bumps. Then it’s like an almost celebration with the short musical bridge. I love the repetition in this song, often repetition can get boring but with the same simple guitars from the intro woven into the tapestry of the rest of the song they are like emphasis points before or after a bit that you should be really paying attention to. I could write 500 words on the feelings this song invoked in me. It is the perfect ending to this EP and I can’t wait for the band to put their visual representation of it into a full music video (if they do – guys you should!)
This EP is available digitally
on October 1st and available digitally at all the main online stores
in the days following. The release party
is on Saturday 28th October at the Kings Arms Tavern with She Loves
You and Blood Buffalo. Tickets are
available now from Eventfinda. Be
THERE!
Review written by Sarah Sampson
Formed late 2012, His Masters Voice are inspired by legends like Buddy Guy, BB King and Black Sabbath.
Their sound evokes the Classic-Rock greats such as Deep Purple, the Doors and Led Zeppelin, mashed together with a sprinkling of Motown and icons such as the Beatles.
Musically, the band identifies with a new wave of progressive rock/blues such as Graveyard, Blues Pills, Orchid and Heart Attack Alley.