DateMonthYear’s
latest release, March, is a piece of
minimalistic beauty. Starting with some simple notes on the keys, the
composition rises in energy with the addition of guitars before returning to a
minimal output, ebbing and flowing. Focus is on the meandering vocal
harmonies that run over the rhythmic rolling bass, with every little guitar
riff accenting and complementing rather than deciding the main direction of the
track. The slow lackadaisical tempo creates an organic flow of the music
allowing natural progression and crescendos, ignoring the usual 3:30 timeframe
that mainstream pop rock songs adhere to.
The unhurried
but deliberate nature of the music is mirrored by the video that accompanies
it. Directed by Bad George, winner of the 48 hour film competition, the footage
consists of unending movement until the breakdown of the song; whether the
protagonist or the camera easing through the natural environment, the movement is
continuous, increasing in speed and aggression in the breakdown of the song. Beautifully
shot in high definition, it’s a relaxing way to unwind, and makes me yearn for
the summer.
Review written by Alex
DateMonthYear began as a way of making music back 2003.The journey since then has involved five self-funded albums, five self-funded music videos and many, many gigs.
DateMonthYear are proud advocates of musical independence, ignoring established rules and norms of the music industry in New Zealand.
The end result has meant airplay on hundreds of radio stations around the world, music licensed to TV, Ads and Movies-again, worldwide-, gigs with Symphony Orchestras, live theatre and so much more.