Unknown Mortal Orchestra - Album Review: Sex & Food
11 Apr 2018 // A review by Paul Goddard
I know it is controversial but I am going to say it anyway. I agree with Taka Waititi -
Unknown Mortal Orchestra are the best band on the planet to listen to and the new album is awesome as fuck!
Pride often comes before a fall but
A God Called Hubris is the perfect quirky intro into a collection of music that takes us on a journey, with the aid of some
Major League Chemicals, through a
Ministry of Alienation where we experience
American Guilt on
The Internet Of Love where
Everyone Acts Crazy Nowadays. It's a sublime ride where emotions are prickled and pickled, where the ghost of Prince can be heard chilling on
The Internet Of Love while Jimi Hendrix is felt tripping and ripping on those
Major League Chemicals. It is a winding road taking in the familiar while adding ingredients to spice up the action.
Stand out moments for me are
American Guilt which demands to only be played at ear-splitting volume and then floats off like smoke from a post-sex cigarette and the keyboard-driven
Not In Love We're Just High. Imagine Stevie Wonder at his funkiest coolest bad ass best then add a Nielson and you will get an idea of how good this is
Nowadays you come to expect the unexpected with Unknown Mortal Orchestra but Sex and Food takes this to a whole new level. At times it is so chilled and damn sexy. It teases and climaxes while at other moments is introverted and reflective. Like any great experience in life or even food and sex, it just leaves you with a sense of wow, I don't know what the hell just happened but I loved it and want to do it again.
★★★★★ (5 stars)
Review written by Paul Goddard
About Unknown Mortal Orchestra
The new project of The Mint Chicks' Ruban Nielson – now based in Portland, Oregon.
Unknown Mortal Orchestra first appeared around a year ago, more a song than a set, more an idea than an identity. They dazzled all who heard them with sound drawing on the freedom of '60s psychedelia and swampy '70s funk, with multi-tracked, heavily treated vocals recalling the raw emotion of R&B from any era.
The songs filtered around via email then blogs, but there were no images, no bios, no lists of band members with prior projects prominent. There wasn't even a live show - which just served to focus attention on the music. And while New Zealanders who heard it instantly suspected a Mint Chicks connection, overseas the slate remained blank: "Information essentially doesn't exist, aside from it being a solo project hailing from Portland," said I Guess I'm Floating, summing up the absence.
Visit the muzic.net.nz Profile for Unknown Mortal Orchestra