A pure voice is hard to find. Such a voice underpinned by a soul that reaches out to mesmerise and enchant an audience is even rarer. Holly Arrowsmith provides just that combination, and at 24 years old she is already writing material that is rich, deep, and evocative.
Arrowsmith’s concert in Nelson as part of the nationwide tour to launch her new album A Dawn I Remember was one of the best performances by a singer-songwriter in an intimate venue that I can recall.
Poised at all times, Arrowsmith knows just how much vocal punch to provide and when to let a moment of silence linger. She achieved that most precious of audience accolades – several seconds of hushed reverence at the end of a song – several times during the evening and the heartfelt and warm audience request for an encore was richly deserved.
Fellow singer-songwriter Amiria Grenell provided a delightful opening set and joined Arrowsmith on stage for several songs. It speaks volumes for Arrowsmith’s talent that Grenell, such an accomplished performer in her own right, is happy to play support for Arrowsmith, who Grenell fulsomely acknowledged as a prodigious emerging talent.
Multi-instrumentalist and backing singer Phill Jones provided the third element to the evening’s sonic landscape. His musicality is an asset and definitely enhances Arrowsmith’s set. His banjo playing in particular added to the hint of Americana in the material. Love Together was especially delightful and the audience, many of whom are parents, responded with a ripple of recognition as Arrowsmith sang about having children one day “we’ll teach them a little but mostly they’ll teach us”.
That being said, Arrowsmith is well able to command the audience’s attention on her own as her short solo set amply demonstrated. Her version of The Last Time I Saw Richard was quite simply the best cover of a Joni Mitchell song I have ever heard (with apologies to the amazing Julia Deans).
Arrowsmith originally hails from Arrowtown and a deep love of that landscape and of nature and natural rhythms in general provides a strong theme throughout her material. The Gardener and Farewell were particularly evocative, although it’s difficult to single out just a couple of songs out for special mention as the entire set was absolutely beautiful.
Aotearoa/New
Zealand is truly blessed with talented singer-songwriters. Holly Arrowsmith can
certainly stand head held high amongst the best of them. See her in concert if
you can.
Review written by Jacquie Walters
Born in the high desert of Santa Fe, New Mexico and raised in the mountains of Southern New Zealand, Multi Award-Winning Songwriter Holly Arrowsmith is both poet and storyteller. With the conviction that the deeply personal is also the universal, Arrowsmith’s lyrics orbit around what it means to be human, and offer up prayer-like responses to our most intimate struggles.
A leader in New Zealand’s contemporary Folk and Alt-Country movement, Arrowsmith’s sound pays homage to tradition without being too reverential. From driven, glittering 90’s guitars with rich layered vocals reminiscent of Mazzy Star, to her falsetto lilt and stripped back emotive performances (think Joni Mitchell), Holly shape-shifts from powerful to intimate with ease.
She has won the hearts of music lovers close to home and abroad, touring throughout Australia and North America and sharing stages with Sixto Rodriguez, CW Stoneking, Tami Neilson, Jessica Pratt, Nadia Reid, Marlon Williams and Tiny Ruins.