23 Dec 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Cruddy - Single Review: White Polka Dot Dress

27 Mar 2019 // A review by Peter-James Dries

Cruddy by name, not by nature. 

Cruddy’s White Polka Dot Dress is a smoothly progressive, well-mixed electronic soundscape. Starting with a bass-line like a futuristic Jefferson Airplane White Rabbit it opens up into a dark landscape of noise that flows around you, gradually building then falling away. It’s a piece of art with your ears the canvas, the samples the brush, the music the paint, the song the picture… you get the metaphor. 

For a comparison, it’s akin to the feelings-presented-as-tracks of Nine Inch Nails’ Ghosts I – IV.  All that’s missing are the hordes of now-grown post-angsty teen fans. 

But then it wasn’t the music that drew fans to buy Ghosts; it was the established name and the “Goth” cred Reznor had accumulated since Pretty Hate Machine. Ghosts was far removed from the NIN people knew at the time, the time before the soundtracks with Atticus Ross, and I’ve always felt that Ghosts by another band wouldn’t sound so “sweet”.

So, if not angsty teens, to whom shall Cruddy be best addressed? 

Audiophiles I guess I’d have to say. All of the advertising material for Cruddy alludes to the mysterious GB3.0.4 console, though as many photographers and men before me have said, it’s not the machinery it’s how you use it. They use it well.

Cruddy is more of a producer than a band. Their music exists in this almost genre less void. It appeals to my alt-rock sensibilities yet belongs somewhere outside that sphere. Somewhere outside of the modern world. Beyond it.

You’re appealing to a niche market there, and I feel this music suits a wider listenership. A larger niche. More than just friends and family. But then, while throwing a mumble rapper over top of the well-crafted track would morph White Polka Dot Dress into a pop sensation, it would also destroy what makes the song great.

As a passion project, Cruddy is great. As a show of the producer’s talent, ability, and honed ear, it’s perfect. As a radio-friendly unit-shifter, not so much. You can’t keep your artistic integrity and get rich too, but I’d rather hear some great sound-art than the silence of a rich former-artist anyway.

Cruddy has subscribed to the track-a-month model, a product of the digital revolution that kids these days claim as their own. White Polka Dot Dress is March’s release. You can find it next to the November – February tracks on the Cruddy Bandcamp now. The other tracks, similar in their inclusion of a mixed spoken-word sample, are in the same vein as White Polka Dot Dress, though play with a different tone and atmosphere. They’re worth a listen too.

Rating: ( 5 / 5 )
 

About Cruddy

Cruddy is Miles Gillett.
Drummer for Auckland New Zealand band Oyawa.

"Got a lot of time on my hands awaiting this back surgery and fired up the ole' GB3.0.4 recording Console"
What you are hearing are the joys of creative release and the love of being unemployed.

Visit the muzic.net.nz Profile for Cruddy

Releases

There are no releases to display for Cruddy.

Other Reviews By Peter-James Dries

AJA - Album Review: Kawai
13 Dec 2024 // by Peter-James Dries
Bilingual albums shouldn’t be special; they should be the norm. Or at least more common.
Read More...
Ra Charmian - Album Review: Waiata Wairua
08 Oct 2024 // by Peter-James Dries
Waiata Wairua is an album that wouldn’t feel out of place performed in a late night jazz hall in some alternate history where the successes of the Maori battalion lead to a proliferation of Te Reo worldwide. The sort of interest that saw your dad singing in French in the 60's, when Mireille Mathieu was knocking about.
Read More...
Ben Lloyd - Album Review: Leap of Faith
26 May 2024 // by Peter-James Dries
For over 30 years, this self-taught rocker from Mt Maunganui has been writing music. Now, for the first time since 2013, we finally get to hear his songs.
Read More...
Yann Le Dorré - Album Review: The Circus is Closed
19 Dec 2023 // by Peter-James Dries
“We are Sex Bob-Omb and we're here to make you think about death and get sad and stuff!” - Scott Pilgrim vs.
Read More...
Sanoi - Album Review: Echoes Of Home
25 Nov 2023 // by Peter-James Dries
Electronica offers no escapism for me. It’s more of what I already have.
Read More...
Throng - EP Review: Decoherence
20 Oct 2023 // by Peter-James Dries
You know that thing where the letter B has a personality, or words have textures and colours? That’s called synaesthesia.
Read More...
Fortress Europe - Album Review: Old World
10 Oct 2023 // by Peter-James Dries
Have you ever been torn between listening to Mozart or Periphery? Does Epica have too much of that darn singing for your tastes?
Read More...
Yurt Party - Album Review: Yurt Party
07 Sep 2023 // by Peter-James Dries
It sure isn't summer, and this is really not the Balkans, but Yurt Party’s new self-titled album refutes that. Back with another one of them Balkan rocking beats, Yurt Party’s debut is jazzy, erratic, and full of zest and energetic grooves, with flavour notes of ska, dub, and bergamot.
Read More...
View All Articles By Peter-James Dries

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem