Jan Hellriegel is somewhat of an NZ musical icon, Songwriter, performer, producer, music publisher, copyright expert, mother and now author she has a name many of us of a certain age would have heard of. Her latest body of work Sportsman Of The Year appears to be a defining moment in not only her musical life, but also her personal one. A glorious twelve track album with mini stories attached and an autobiographical style book of twelve chapters based on the collection of songs. A “musical in a book” if you will. This may be her most significant work to date.
Hellriegel has been part of the rich fabric that weaves the NZ music scene since 1989, grabbing major label Warner Music NZ's attention with her indie pop-rock band Cassandras Ears. However, by 1991 Jan had left the band and signed to Warner as a solo artist. She left the music label in 1997 and went out on her own. From that point onwards Hellriegel’s solo achievements have gone from strength to strength, ebbing and flowing, gathering momentum, producing some very fine albums in her musical career.
All paths eventually have led to these published words. The songs are a personal narrative, each one telling a different story. This is a soundtrack to her life.
Soul barring honesty shines through in each track. Sportsman Of The Year is a rich offering of beautifully composed and produced music combined with illuminating storytelling. I got the vibe that once Jan had it into her head she was going to make this album, the words just kept flowing. Overflowing into a 220 page book.
This entire body of work highlights just how resilient Hellriegel is, her strength and persistence has most definitely paid off in this stunning album. Listening to her vocals instantly took me back in time. I have respected her music for many years; this is like a feast if you are fan, a banquet of music, lyrics and words. I feel like I got to know her through her life experiences in song.
Jan can be heard playing the piano on many of the tracks and can be quoted as saying “I wrote a lot of the songs on the piano this time so I thought I might as well play it too”. Neptune has an original and captivating arrangement. Almost mythical. This track gives you good dose of her strong piano playing.
My personal favourite track is For The Love Of Glory. It is incredibly catchy with a slightly Middle Eastern flavour and a very real tale of chasing that elusive fame and glory. This track is irresistibly addictive.
Her usual core crew of musicians helped shape what is her fourth studio album. Wayne Bell, producer, Daniel Denholm, mix, Oliver Harmer, engineer and mastering, Mark Hughes, bass guitar and Brett Adams, guitar. Together they have produced a very clean and cohesive sound which is without a doubt very polished, professional and indeed as “fine an album as anything in Jan Hellriegel’s illustrious career”.
The package of music and words which Hellriegel has launched out into the world has been delivered with grace. This lady has the fortitude, and strength to survive in a tough industry. She is a survivor.
Sportsman Of The Year nails home that she is not only a musician but a talented wordsmith as well. I am basing this on the incredible lyrics which accompany each song; the book must be a remarkable read.
This unique compendium of words and song is a wonderfully rich and glorious offering of her life’s journey. A woven tapestry of captivating stories in musical form. There is also a podcast series in conjunction with Radio NZ, each episode representing a song from the album and a chapter from the book.
This is an empowering and imperishable Rock/Pop album. Five great big solid gold stars from me.
Jan Hellriegel’s love affair with music started when she learned classical piano as a child, and as a teenager she took vocal coaching from Dame Sister Mary Leo, whose protégés included Dame Kiri Te Kanawa.
Her first foray into recording was with her brother Rob's band Working With Walt, before forming all-girl indie pop-rock band Cassandra's Ears at Otago University. They developed a strong following, toured relentlessly and released two self-funded EPs before disbanding in 1989.
Hellriegel signed to Warner Music NZ as a solo artist in 1990. Significantly, she was their first local signing and at the time the first NZ female singer/songwriter to be picked up by a major for a full development deal.