22 Nov 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Dharmarat - Album Review: WLKNZ

24 Dec 2019 // A review by Peter-James Dries

This review took a long time.

This isn’t my usual genre. This is more of my brothers’ thing. I’m older, old enough to have watched the death of rock music, seemly just as I got into it. Old enough to hold a grudge against Hip Hop and Rap for killing it.

I didn’t think I’d even be able to review this album. Not in the way it deserved. I could tell from my first listen that this was the product of hard work and suffering. But to review something you need the history, the terminology, some sort of background in a genre to be able to talk about the album, and some kind of reference to see how it compares to other albums.

I don’t have any of that. While my brothers were listening to the soundtrack of the invisible people of New-New Zealand, the working middle class, the ones we didn’t see on TV back then, I was dreaming of becoming the next Kurt Cobain, 10 years after he sang his last note.

But people have the capacity to learn new things. I had to put the whole Rock versus Hip Hop war aside, and just keep listening. And not just because I had to. But because it was good.

This isn’t my usual genre, but I found a lot I could relate to in dharmarat’s new album WLKNZ.

I made some music once. A lot of music. It wasn’t good, but it was me, and what I wanted to do, how I felt, and what I thought. It was more therapy for me than music. It would never be on the radio - it could never be on the radio - but I told myself I was an ‘Artist’. People just don’t get me. I’m too smart.

When I look back over dharmarat’s prolific back catalogue, I see that this is an actual artist. The kind of artist I thought I was. He does what he wants, and lays down how he feels, and what he thinks. He’s smart, both intelligent and clever, in the things he says, and the ways he constructs his verses. His lines are simple and relatable, but emotionally deep at the same time.

And those things he says, and how he says them, are in the language of the people. The music of New-New Zealand. That’s something I didn’t understand when I was making my music. If you want people to know how you feel just tell them straight, and in the style they understand. It’s not that other people don’t get me. This society is depressing for everyone. It’s just that I was talking another language.

WLKNZ has a certain style, a distinct sound. It's raw, the way it’s produced, the samples it's used, and the soulful, sometimes bluesy, grooves. Even with all the collaborators featured on the record, and the chaos of dharmarat’s mind, it’s pulled together into what feels like one album long flow. It’s what being true to yourself sounds like.

Like previous releases, of which 2019 has seen three, the lyrics are personal to the point you can feel the pain, or the love, or the despair. It takes a lot of strength to pull your own skin off and walk around more than naked. Existential and depressive, yet at the same time reflective and chill.

It was relatable, the words and the pain. Not only is it the voice of the people, but it’s how we’re all collectively feeling in this post-Boomer world. Everyone’s playing a game that we’re going to lose because we don’t know the rules. But while most people will whinge about it on Facebook, WLKNZ and all of the releases before, are dharmarat’s way of trying to deal with it. Like therapy.

WLKNZ is therapy for all of us too. Not because dharmarat pretends that he has all the answers, or a way to win the game. But in laying down the pain we’re all feeling, we can relate, and know that we’re not alone.

This isn’t my usual genre, but I got past that. Dharmarat has a unique vision, obvious talent, and lay himself bare in a way that was deep and relatable. How could I give WLKNZ any less than 5 of 5 stars?

Rating: ( 5 / 5 )
 

About Dharmarat

Dharmarat (Adam Tuwhai Tukiri) is a hard-working rapper and producer from South Auckland who has created quite a name for himself, through his hard-hitting beats to his unforgiving delivery in his music. He pulls the listener in with his perspective on life and relentless aggression on his more upbeat music. There is just as much range in his discography as he has projects under his belt, having released 21 projects if you include his work with his group Valleyside Boys.

An artist like Dharmarat never disappoints when it comes to a show, having shared lineups with the likes of Eno x Dirty, Melodownz and many more. In 2017 he was a part of Red Bulls’ 64 Bars series in which he was hand-picked by Hip-Hop legend David Dallas to rap for a few minutes straight.

With respect from all the Hip Hop giants he is definitely ‘next up’ and will give 110% to everything he is a part of.

Visit the muzic.net.nz Profile for Dharmarat

Releases

Belial
Year: 2020
Type: Album
WLKNZ
Year: 2019
Type: Album

Other Reviews By Peter-James Dries

Ra Charmian - Album Review: Waiata Wairua
08 Oct 2024 // by Peter-James Dries
Waiata Wairua is an album that wouldn’t feel out of place performed in a late night jazz hall in some alternate history where the successes of the Maori battalion lead to a proliferation of Te Reo worldwide. The sort of interest that saw your dad singing in French in the 60's, when Mireille Mathieu was knocking about.
Read More...
Ben Lloyd - Album Review: Leap of Faith
26 May 2024 // by Peter-James Dries
For over 30 years, this self-taught rocker from Mt Maunganui has been writing music. Now, for the first time since 2013, we finally get to hear his songs.
Read More...
Yann Le Dorré - Album Review: The Circus is Closed
19 Dec 2023 // by Peter-James Dries
“We are Sex Bob-Omb and we're here to make you think about death and get sad and stuff!” - Scott Pilgrim vs.
Read More...
Sanoi - Album Review: Echoes Of Home
25 Nov 2023 // by Peter-James Dries
Electronica offers no escapism for me. It’s more of what I already have.
Read More...
Throng - EP Review: Decoherence
20 Oct 2023 // by Peter-James Dries
You know that thing where the letter B has a personality, or words have textures and colours? That’s called synaesthesia.
Read More...
Fortress Europe - Album Review: Old World
10 Oct 2023 // by Peter-James Dries
Have you ever been torn between listening to Mozart or Periphery? Does Epica have too much of that darn singing for your tastes?
Read More...
Yurt Party - Album Review: Yurt Party
07 Sep 2023 // by Peter-James Dries
It sure isn't summer, and this is really not the Balkans, but Yurt Party’s new self-titled album refutes that. Back with another one of them Balkan rocking beats, Yurt Party’s debut is jazzy, erratic, and full of zest and energetic grooves, with flavour notes of ska, dub, and bergamot.
Read More...
day13n - Album Review: /7/13/7/
06 Aug 2023 // by Peter-James Dries
I’m too old for this world. We’ve devolved to the point where music is only as good as the soundtrack to your 10 second TikTok, and the thirty thousand copies recycling the idea.
Read More...
View All Articles By Peter-James Dries

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem