The three-worded title seems to serve as something of a mission-statement: The band is building momentum and are set to blow, both on a live stage as well as in Aotearoa’s modern-day rock & roll scene. And right from the first song, Caught In The Undertow, the band have produced quite an incendiary number. Their first big single sets the benchmark high with grooving drums, chomping guitar rhythms and bold lead vocals.

There's more sludgey guitars and grungey slower-tempos on the second track You Can Have It All. The standout features are the piercing high notes reached by lead-singer Baldrick, contrasted against a whispered pre-chorus. Mixed in with some classic heavy metal grooves, there’s Alice in Chains vibes too, particularly with the slow, echoing drums and a murky, rumbling bassline. And that snare drum sound! It's absolutely delicious, like a gunshot and a clap combined.

Hard rock guitar legend Mick Mars makes a guest appearance on The Way I’m Wired as the group recorded in Nashville, Tennessee. That explains the Motley Crue sound! Showing off a good balance between lead and harmonised backing vocals, set against a headbanging mid-tempo, that hard rock groove is present once again. There’s also a wildly cool guitar solo just before the final chorus: Appropriately shrill, groove-laden and cries sex appeal, in the way many 80’s rock & roll bands did way back.

Only Human boasts a more creative main riff which meanders and staggers, but still packs punches in the right spots, particularly the solid chorus. Sandwiched between belted long-note choruses is a very slick and tasteful guitar solo, courtesy of the group’s sole axe-wielder Charlie.

With the speedy and bumpy ride of Paint The World On Fire, the verses chug along like an afternoon at the raceways. Baldrick’s vocals commanding “Run, run, RUN! Paint the world on fire” during the chorus, makes this the most fun and high-octane of the lot. With a little half-time respite in tempo, the boys rev up for another lap, driving listeners to pump fists in the air and thrash about. Colour me surprised if this one isn’t a live staple!

The last track on the EP, Blindfolds & Rattlesnakes, was likely have been composed with a live audience in mind. Big, bold, powerful riffs from bass guitar and drums, and an echoing refrain of “WHOOOA”s, there is no doubt the vocal lines will remain in your head after the seven-track has ended.

Production value is noticeably high here. Josh’s drumming sounds crisp and varnished, as does the vocals. The lead singer crosses between throaty punk-rock cries and bombastic hard rock registers, with an impressive and unwavering high range, instantly reminds one of current-day Anthrax singer Joey Belladonna. The songwriting is succinct, there are no long, boring guitar solos or dull verses. Between big, bold rock riffs on every track, each band member brought forth the best of their abilities in making every tune sound as powerful as it can be.

There’s nothing I personally love more than local act that sounds huge, genuine and gets me moving; Black Smoke Trigger tick all those boxes. And that’s just listening to an EP! Follow them on Instagram and Facebook for future Black Smoke Trigger gigs. If engine-revving, ballsy hard rock is your style, be sure to get a copy of Set It Off, or at least save it on Spotify for repeat streamings!

• 1
  Head Like A Hole
• 2
  Horror Story
• 3
  Fraser Ross
• 4
  Fur Patrol
• 5
  Michelle Rounds
• 6
  L.A.B.
• 7
  The Boondocks
• 8
  Late to Chelsea
• 9
  Springloader
• 10
  Baconfoot

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• 1
  APT.
  ROSÉ And Bruno Mars
• 2
  DIE WITH A SMILE
  Lady Gaga And Bruno Mars
• 3
  BIRDS OF A FEATHER
  Billie Eilish
• 4
  TASTE
  Sabrina Carpenter
• 5
  I LOVE YOU, I'M SORRY
  Gracie Abrams
• 6
  ESPRESSO
  Sabrina Carpenter
• 7
  SAILOR SONG
  Gigi Perez
• 8
  LOSE CONTROL
  Teddy Swims
• 9
  A BAR SONG (TIPSY)
  Shaboozey
• 10
  GOOD LUCK, BABE!
  Chappell Roan

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