Wide-open space greets the ear from the opening track Head Damage. In the modern world of music, sometimes I forget just how much has changed so it is so nice to hear reverb-soaked guitar lead lines over the top of a driving rhythm section.
Column of Sand's new EP Head Damage is a collection of songs that really takes you back to the feels of the early 90's in that wave of bands like early Radiohead or Pixies. It sounds authentic and real like you can tell the amps were recorded with a microphone, not a plug-in.
The melodies on the album are ear-catching, with the lyrics hiding behind that wash of sound that sounds bring these songs together.
On the track Change of Heart, the vibe changes up a little with a slightly darker tone, yet a disco beat at times to lighten the mood. It's clever and it all works. It sounds like a band that has been playing together for a long time, a group of musicians that all understand their sound and explore it. Change of Heart's solo section is sparse and melodic, lending itself to the song instead of its technicality. This is something I respect as you should always serve the song.
The final track Bleeding Sky was a tinge of a U2 sound to it with the guitar. The whole package feels cohesive, the vocals sitting in the mix but not out front which is perfect for the style that Column of Sand is writing here.
Overall, a solid EP that explores their sound from start to finish with every song fitting perfectly into the EP.
Column of Sand are a post-gaze band from Wellington: dense, melodic and dissonant.
Influenced by Ride, My Bloody Valentine and Fugazi they create shimmering harmonics, bleak undertones, and a crashing wall of sound.
Guy, Lorena and Blair have a shared history, and former bands include Noddy on the Cross, The Flickering No San Pedro, Fader, Hoopla! and The National Office.