22 Nov 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Social Shun - Album Review: What Is Music

04 Apr 2020 // A review by Callum Wagstaff

What is music? It's kind of a rhetorical question. Social Shun asks it and answers it on repeat during the run time of this album. It's a bunch of ambient, industrial and spoken samples recorded on a cell phone and collaged against break beats. What is music? It sounds like bits of Fatboy Slim, DJ Shitmat, The Grassy Knoll and UNKLE. What is music? It's literally a 9 minute story about an intermediate teacher who avoided teaching his music class and in response to being confronted about it, offered this timeless pretension ironically, cracked himself up, and then got fired.

What Is Music achieves total tonal consistency over a range of weird combinations of found sound using a simple and brilliant technique: In almost every song there is basically the same sample asking (stating) "What is Music" with the emphasis on the IS and barely an upwards inflection to be heard. Like the title, it's not so much intended as a question as a jumping off point. The whole album is narratively inspired by one funny moment in history that Social Shun relives at the climax of the title track. That's all Social Shun needed to get his creative juices flowing and I'd argue that repeating the title in every song makes this a concept album. Fight me.

There are lots of times this album reminds me of an old New Zealand TV show I watched once where three entrepreneurs competed to make the most money in an allotted amount of time. The guy who won invested in some good recording gear and made an album of sound effects like Baby Crying and Lawn Mower. At the end of HUGE MAMMOTH Little Whoopy Bird there are bagpipes being played. LUMPY consists of an engine exhaust that becomes rhythmically meditative. The opening song Happy HOOOHARR Friday is made up completely of sounds that wouldn't be out-of-place in an Avant Garde
industrial noise album, which transitions into the sound of rain on aptly named track Rain. By this point you're about 4 minutes into the album which is enough time to start thinking you know what you're gonna get the whole way. But suddenly a break beat kicks in and What Is Music reveals itself. As soon as it made this transition a smile spread across my face.

Each track fades into the next one which heavily implies the intention is for it to be listened to as a whole and the seamless design makes it an immersive experience. This effect is sadly undermined by Bandcamp's buffering beginning at the start of each song. The same problem occurs on slow computers. While there isn't much in the way of vocals, third track Mainstream has a catchy-as-plague refrain that goes "Then a voice comes in and says nothing. Then a voice comes in and says nothiiiing at aaaall." An entertaining nod that the song sounding most like a single is called Mainstream. Another highlight on the album comes after the storytelling track. Apples and Pears is musically catchy and a perfectly placed song to come after the momentum shifting title track. It kicks the beats up into a gear previously unexplored by the tracks before it and opens with a funky overdriven intro that's also different from the conventions used in the earlier half of the album. If What is Music is the track for stopping and catching your breath, Apples and Pears is the perfect song to crank back into it with renewed vigour and intensity.

Social Shun describes his music as "formed to voice free thought with no boundaries or care for what anyone thought." A claim like that implies some kind of controversial ideology or manifesto is involved, but once you get going with What Is Music you realize the guy behind that claim just wants to do whatever he wants to do and he likes what he likes. It's thinking like that which allows Social Shun to bring us an entire album built around one sentence, but encompassing influences from several corners of the sonic universe. It's the best thing since Songs For Seals.

Rating: ( 4 / 5 )
 

About Social Shun

Social Shun became official after releasing tracks on Reverbnation in 2011 but He has been mucking round with music software and instruments for nine years.

Social Shun is a solo project and was made to release pain, stress, anger, boredom and frustration of day to day living in a positive creative way. The straight forward approach to music and lyrics is key, Promoting honesty and freedom of speech in a raw, direct, in your face fashion. Not shackled to one Genre Social Shun infuses many different aspects and vibes of music.


Visit the muzic.net.nz Profile for Social Shun

Releases

What A Weevil 1
Year: 2022
Type: Album
What A Weevil 2
Year: 2022
Type: Album
What Is Music
Year: 2020
Type: Album
7/10 of A Fridge
Year: 2020
Type: EP
Songs For Sea Lions
Year: 2017
Type: Album
Big Gorilla
Year: 2015
Type: Album
The Garden Of Sweden
Year: 2014
Type: Album

Other Reviews By Callum Wagstaff

SD-2100 - Album Review: Not Bred to Feel the Fat
29 Oct 2024 // by Callum Wagstaff
Sam Densem, better known as SD-2100 (a brand of metal detector but that's not what he's named after), is aggressively prolific. By the time this review is published he's already released two more EP's and a compilation.
Read More...
Saurian - EP Review: Bled Dry
09 Sep 2024 // by Callum Wagstaff
From Dunedin, New Zealand comes Saurian, a four-piece hard rock band with a new EP called Bled Dry which came out Friday the 13th of September. The 5 song EP includes the band's latest 3 singles, Devil Among Men, Down at the Crown, and Park Bench.
Read More...
Moider Mother - Album Review: Miracle Healing Crusade
28 Apr 2024 // by Callum Wagstaff
"Take a pinch of Raincoats, add a tablespoon of early Swans, sauté in the first Stooges album and add half a brick. Put it in a sock.
Read More...
Swamp Rat Collective - EP Review: Flash Sneakers
16 Apr 2024 // by Callum Wagstaff
The Swamp Rat Collective is a dirty, matted tangle of influences from the guitar music of the era between the late 80's and early 2000's. The project is a collaboration between Paul Cowsill (rhythm and bass guitar) and Adam Gatt (lead guitar) that crosses the ocean, comprising parties from Auckland, New Zealand as well as London, UK.
Read More...
Daniel Ashcroft - Album Review: Chica De La Bum
05 Feb 2024 // by Callum Wagstaff
Daniel Ashcroft is a multi-instrumentalist, producer and composer based in Feilding.His musical goals are simple: He wants to play every instrument he possibly can, explore every genre and collaborate with as many singers as possible.
Read More...
Dub Asylum - EP Review: Time & Space EP
19 Nov 2023 // by Callum Wagstaff
Dub Asylum is the musical alias for Peter McLennan, former member of 90's reggae-thrash-punk-ska mutants the Hallelujah Picassos. Now working solo, Peter McLennan's Dub Asylum is a musical mash-up of dub reggae, hip-hop and funk.
Read More...
Bad Jelly Collective - EP Review: WESTBOUND&DOWN
10 Oct 2023 // by Callum Wagstaff
Bad Jelly Collective is the brainchild of 'Bad Jelly' Ben. Tucked away in his Huia road Home Studio in the Waitakere Ranges, Ben weaves his psychedelic soundscapes together with the creative forces of his team of musical mates.
Read More...
Album Review: Cautionary Tales
16 Aug 2023 // by Callum Wagstaff
Cautionary Tales is an alt-rock band based in Aotearoa, via Berlin and New York. It's an art-rock outfit built around the type of myths and legends where somebody gets screwed over for riding a scorpion or not tipping an old lady.
Read More...
View All Articles By Callum Wagstaff

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem