I have been reviewing music for more than 30 years and estimate I have written something like 2 million words on the subject, and I have often been asked the question, “Why?”. The simple reason is that if I didn’t do what I do then I would have missed out on so many amazing experiences, and when one is faced with a “new” band then one never knows what to expect. Prior to picking up this album and agreeing to see them play a gig (next month with Albi & The Wolves, it will be amazing), all I knew about them was that they played a form of folk. I put this on, and within 90 seconds of Honey Bees I was enthralled, and immediately felt that this was why I review, as every so often something comes through which is so very special indeed that it has a major impact on me. This is one of those albums, and from the very beginning I knew this was significant, and that feeling kept growing as the album kept playing.

There is a melancholy in their music with co-founders Robin Cederman (Tahu & The Takahes, The Prophet Hens) and Penelope Esplin (French for Rabbits, (Lake South}) taking turns to lead, providing harmonies for the other when the time is right. The result is an album which at times contains duets, and others either male or female lead, which may remind the listener of The Mutton Birds, Sandy Denny, Seventies Fleetwood Mac, Fairport Convention or Mumford & Sons, all in a melting pot. Penelope also provides accordion and Robin guitar, and on this their second album the band has expanded to include Alex Vaastra on violin (Julian Temple Band, Emily Fairlight), Emma Hattaway on bass (BoJack Funkman) and Hikurangi Schaverien-Kaa on drums (Dawn Diver, Stellarize, French for Rabbits).

It is timeless, but certainly does not sound as if has been released in these days of auto tune and over production, as vocals shine through, and it is possible to follow the musical thread of each and every instrument. What also makes this album work so well is the contrast, so we go from the vibrant full-on energy of The Wrong Idea into the sleazy, sassy Country feel of Modern Boy with Elizabeth to the gentle picked folk of Get Cold Easily with Robin, which turns into something incredibly powerful. Bill Bruford famously received a writing credit for the King Crimson song Trio, where he decided his contribution was not to play at all, and the same can be said for the members of Grawlixes as each knows what they bring to the arrangements, and at times that really means not being involved and just adding in at the correct moment.

This is an album that needs to be played on headphones when the listener has the time to do just that and be whisked away in the world of Grawlixes. They are soon going to be undertaking a 12-date tour, which on the evidence of this is not to be missed, as this is something which will be enjoyed by lovers of folk, country, acoustic, singer/songwriter material. Simply essential.

• 1
  Head Like A Hole
• 2
  Horror Story
• 3
  Fraser Ross
• 4
  Fur Patrol
• 5
  Michelle Rounds
• 6
  L.A.B.
• 7
  Devilskin
• 8
  Coridian
• 9
  The Boondocks
• 10
  Late to Chelsea

• 
  LOST BiRD @ Space Academy, Christchurch - 15/12/2024
• 
  Just Janie @ Space Academy, Christchurch - 15/12/2024
• 
  Dream Chambers @ Meow Nui, Wellington - 14/12/2024
• 
  The Phoenix Foundation @ Meow Nui, Wellington - 14/12/2024

• 1
  APT.
  ROSÉ And Bruno Mars
• 2
  DIE WITH A SMILE
  Lady Gaga And Bruno Mars
• 3
  BIRDS OF A FEATHER
  Billie Eilish
• 4
  TASTE
  Sabrina Carpenter
• 5
  I LOVE YOU, I'M SORRY
  Gracie Abrams
• 6
  ESPRESSO
  Sabrina Carpenter
• 7
  SAILOR SONG
  Gigi Perez
• 8
  LOSE CONTROL
  Teddy Swims
• 9
  A BAR SONG (TIPSY)
  Shaboozey
• 10
  GOOD LUCK, BABE!
  Chappell Roan

• Privacy Policy
• Disclaimer
• Copyright Statement

• Contact
• Advertising
• About Us