22 Dec 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Wiri Donna - EP Review: In My Chambers

25 Oct 2024 // A review by Maggie Cocco

Certified rock music incoming as Wiri Donna releases her sophomore EP In My Chambers today, Friday 25 October 2024, following the smashing success of her debut, Being Alone (2022). This time around, Wiri Donna firmly plants herself in rock territory with a bold, unapologetic sound, one driven by a blend of feminine rage, heavy guitar riffs, and searing vocals. The EP showcases a sonic evolution, offering a powerful follow-up to her earlier works that showcases the raw talent and boundless energy that drew in listeners from the start.

Wiri Donna (led by Bianca Bailey) has spent two years since her debut tantalizing fans with hints of a darker, more aggressive project. Now, with In My Chambers, she's delivered a collection that strikes with an explosive intensity. Recorded at Surgery in Newtown with longtime collaborator James Goldsmith and featuring the incredible talents of Harrison Scholes (Arjuna Oakes, TOI), James MacEwan (Arjuna Oakes), and Elliott Dawson, this six-track EP takes listeners on a dynamic journey filled with ambitious songwriting and arranging, and the grit of someone who’s been through the wringer but refuses to back down.

The opening track, The Gold, kicks things off with headbanging intensity. Channeling 2000's metal influences, the guitar riffs are sharp and exhilarating, setting the tone for what's to come. The vocal effects and textured bass breaks add depth, making for a gripping introduction.

In My Chambers follows, blending pop-punk guitar riffs with well-crafted hooks. The song feels instantly familiar, and its structural complexity—ranging from spoken word moments to cleverly placed harmonies and even some percussive breathing —gives it an edge. It’s a standout moment in the EP, balancing a smorgasbord of satisfying callbacks to the genre's greats.

With Stop Charades, Wiri Donna dials down to a Fleetwood Mac-esque bassline while the lyrics and Bianca's voice take centre stage. Soon the angst is back though, the vocals that only a moment ago smoothly lilted atop a sweet groovy baseline suddenly a powerhouse atop a wall of crunchy chords. It’s a master class in contrast, and Wiri Donna has it on lock. Bad Behavior returns squarely to the 2000's metal influence, and features one of the most impassioned vocal performances of the EP. But my favourite song of the EP has to be Hell or Highwater.

Hell or Highwater stands out as a feminist anthem, with yet another striking contrast between almost chanted choruses and spoken verse. Bianca's spoken word makes the often maligned kiwi accent sound good with a capital G. The song's honest and defiant lyrics— “I’m sick of being so goddamn angry all the time”...“And let me tell you right now, that this is mine and don’t you dare take that away from me. Let me tell you right now, everybody is taking away from me”—is so necessary and refreshing in an era of commercialized, bubble gum empowerment. It’s the heart of the EP, burning with righteous fury.

The final track, Sink, adds even more variety with its Latin groove, alternative-rock mashup. The half-time bridge and vocal belt—that ever-present 2000's influence—leads to a climactic closer, concluding the EP with a wall of sound that suddenly cuts…the end.

In My Chambers is a triumph of kiwi rock. The energy never stops, and it never gets dull. A brilliant blend of strong vocal hooks, memorable riffs, and dynamic structures. Wiri Donna has masterfully crafted an EP reminiscent of the best of early 2000's alternative rock and metal while imbuing each track with her own voice—one that’s deeply rooted in feminist themes and the quirks of the New Zealand alt scene. This EP is a must listen.

If you’re lucky enough to be in one of the following cities, catch Wiri Donna’s release tour this November and December where she’ll be bringing her live energy to stages across New Zealand.

 

About Wiri Donna

Wiri Donna begun as the indie-folk alter-ego of SOG's Bianca Bailey, these days turns out that Wiri Donna isn't so folk after all, more dinky riff rock designed for sweet summer moments. Music that will make you sigh and think about stuffs.




Visit the muzic.net.nz Profile for Wiri Donna

Releases

In My Chambers
Year: 2024
Type: EP
Being Alone
Year: 2022
Type: EP
Sprouts
Year: 2020
Type: EP

Other Reviews By Maggie Cocco

Lucy Gray - Album Review: whole life waiting
24 Jul 2024 // by Maggie Cocco
Seventeen year old singer-songwriter Lucy Gray from Otautahi, New Zealand has landed on the NZ Hot New Music Charts, and it’s only a matter of time before the rest of the world hears. Gray’s whole life waiting EP is versatile and compelling.
Read More...
Samantha Josephine - Album Review: Your Unbelievable Head
12 May 2024 // by Maggie Cocco
Samantha Josephine is an artist for true lovers of the lo-fi, bedroom mumbling, punk-inspired indie internet underground. The alternative singer-songwriter blends elements of punk and rock with phrases that rhyme and convey almost nothing concise and everything feeling.
Read More...
Sin City - Album Review: Another Round
19 Apr 2024 // by Maggie Cocco
Sin City’s Another Round is new music for audiences who know that music’s best days are behind us. From first note to rock n’ roll lifestyle, Kiwi songwriting duo Nick Armstrong and Jack Beesley with Aussie musicians Christopher Hockey, Andrew Blackman, and Cameron Hicks embody a bygone era, channeling those influences into original songs that cozy comfortably alongside your nostalgic country, soul and rock 'n' roll bangers of the 1960's and 70's.
Read More...
Mr Sterile Assembly - Album Review: HELLo
06 Feb 2024 // by Maggie Cocco
New Zealand's globetrotting punk rockers, drummer/vocalist Kieran Monaghan and bassist/vocalist Chrissie Butler, release their sixth and final album twenty-two years, two months, and five days from the date of their inaugural show.In 2001, Mr Sterile Assembly was an unlikely three-piece; guitar, drums, and trombone.
Read More...
Festival Review: Auckland Folk Festival 2024
02 Feb 2024 // by Maggie Cocco
Auckland Folk Festival 2024 overcame the fallout from the Auckland Anniversary Weekend floods of 2023 to deliver a successful marriage of folk and frivolity. Featuring five stages and a variety of international and local folky favourites from 9am - God's hour, the all ages and stages crowds had more than enough to entertain.
Read More...
Gig Review: Ministry of Folk @ Auckland Folk Festival - 26/01/2024
30 Jan 2024 // by Maggie Cocco
The Ministry of Folk brought a smorgasbord of top NZ talent to the 51st Auckland Folk Festival. Known as the “alternative folk club”, The Ministry platformed a variety of folk-infused singer-songwriters.
Read More...
Darren Pickering Small Worlds - Album Review: Volume Two
07 Dec 2023 // by Maggie Cocco
Following their acclaimed debut, Volume One, Darren Pickering Small Worlds continues their investigation of the intersection between cinematic aesthetics and electronic textures within the framework of contemporary jazz. The Otautahi (Christchurch, New Zealand) based jazz quartet featuring Mitch Dwyer (guitar), Mitch Thomas (drums), Pete Fleming (bass), and Darren Pickering (piano), perform works composed by pianist Darren Pickering as well as re-imagined versions of select works.
Read More...
View All Articles By Maggie Cocco

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem