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Reb Fountain

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Reb Fountain may be New Zealand’s best-kept secret. Identified as a “the best voice to come out of Christchurch in ten years” in the finals of Battle of the Bands way back in 1990 she disappeared off the Kiwi music map. Since then Reb occasionally appears at her old haunts, mesmerizes anyone who’s there with an increasingly polished repertoire of breathtaking vocals, soulful lyrics and melodic tunes, before vanishing into thin air again. So what ever happened to Reb Fountain?

Perhaps it’s more like what didn’t happen: She got her first guitar at six and by the age of thirteen she had mapped her poetry onto melody, writing lyrics to the sound of her acoustic guitar. She’s been singer/songwriter for three bands Immaculate Sun, Like Water and Beckoning South with talented musicians like Pete Woods (Salmonella Dub/DJ Rockwood), Tony Harlem (Future Stupid), Mark Tyler (Salmonella Dub) and Pete Hobbs (Lesley Speaker/Kitset); trained as a jazz vocalist at a college in Seattle performing with great musicians which drummed out any insecurities about playing live; lived and recorded in major musical cities like New York, Vancouver and London all the time living and breathing music.

Yet you could be forgiven for not knowing who Reb Fountain is. If you’ve been at one of her gigs you certainly wouldn’t have forgotten her. Or maybe, by chance, you would’ve heard one her low-fi 4 track recordings with Like Water on Indie Hit Disc (#5 and 8), doing the rounds on RDU and Radio One. There’s no doubt, with her immense talent and productivity as a singer/songwriter, that she should’ve made several records in the last decade, but that hasn’t been her path until now. She’s been a lover, a fighter, a mother, and a writer; got a degree, two gorgeous kids, plenty of knowledge with wisdom to boot, strong political leanings and a great big heart wide-open to the world around her. Fortunately for us it pulses deeper and stronger everyday with desire to have the freedom to write and play, perform and learn, travel and share music with others.

Musically, she blends the sensitivity and depth of Diana Krall with the brashness of PJ Harvey. But comparisons cannot describe her sound to its greatest advantage or capture the soul and coolness of her live performances.

“Comparisons are usually odious, but this girl is far better than most commercial singer-songwriters. Her songs could sell millions. Her voice is at once fragile and potent, she looks like a star.” - Arthur Bean, The Package 12/3/2004

Photo Credit: Marissa Findlayr

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  • Auckland

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