28 September 2012 - 0 Comments

' BANNED '  from NZ for 47 years ...   

The Pretty Things have always been '4 Real'. Attitude with a capital A. Real accents and bolshy attitudes to match, 'the Pretties' eschewed the Sixties pop scene to carve their own niche of hard blues rock.  While the Rolling Stones Stones took non-conformity and turned it into a commodity, flirting with drugs and the odd public piss against a garage wall, the Pretty Things weren't content to play the game, setting out and succeeding in breaking all the rules throughout a career that now spans six decades. While the world was supposed to be opening up in the Britain of the mid Sixties, the Pretty Things found themselves banned from venues, hotels and TV shows, thanks to their unrepentant attitude and the longest hair of any band to emerge from the British beat explosion. Such was their vile nature that questions were asked about the band in the Houses of Parliament. Even their roadie created headlines when brought before the law for wielding a sawn-off shotgun to expediently quell a disturbance following another incendiary performance.

Their tour of NZ in August 1965 caused much consternation and hand-wringing in the national press. Disparaged by 'squares' and 'olds' who found them too 'loud', too 'drunk', too 'destructive' and worst of all, too 'hairy', they were subject to  public scrutiny by the national tabloid of the time , the 'Truth' (who went by the motto 'Above All for New Zealand) and banned from ever performing in Godzone again... until now.

The impact of that tour on the virtually comatose NZ music scene was seismic.  Shockwaves were felt particularly in Invercargill where a group of noisy ne'er-do-wells named their band The Unknown Blues (after a Pretty Things song) and began blowing minds all over Invercargill and elsewhere (not an easy task in the sleepy ol' NZ of the 1960s).  Seminal Christchurch band Chants R&B in particular took The Pretty Things to heart and created some of the rawest, most vital music ever heard on our islands, as did fellow travellers The Breakaways and Sandy Edmonds.

Legendary among their contemporaries, Pretty Things guitarist Dick Taylor, whose guitar sound has influenced everyone from Jimmy Page to Jack White, did time in the earliest line-up of The Rolling Stones. David Bowie recorded versions of the Pretty Things most well-known songs, 'Rosalyn' and 'Don't Bring Me Down' on his 1973 Pin Ups album. Bowie was a huge Pretties fan and some say his entire persona was based around singer Phil May's outrageously camp onstage antics. Legend has it that the future Ziggy Stardust kept Phil's phone number in his address book under the sobriquet 'God'.

The Pretty Things' 1968 rock opera SF Sorrow was the first of its kind, pre-dating The Who's Tommy by a good six months.  Its bleak song cycle featured madness, war; tragedy and the inevitable decline of old age.  Absolutely no one 'sure played a mean pinball’ and the album was a commercial disaster.  Needless to say it is now viewed as something of a high water mark of sixties culture.

During the Seventies legendary Led Zeppelin manager Peter Grant took the band on at his gilded charges' specific request but even Grant couldn't handle the Pretties' prodigious appetites. On to the present and The Pretty Things particular brand of hard blues-rock is as vital as ever.  While revered as 60s R&B, freak-beat and psychedelic Gods by connoisseurs, their music is accessible to all due to its unmediated blazing intensity and raw honesty.  Recent shows have seen the band perform a 'fast, stripped back and kick-ass' show to wildly appreciative audiences regardless of age.

Joining the bill will be our own exponents of tough R&B from the halcyon days of 1965 & 1966. All of whom, owe a shaggy nod to the Pretties.

THE SHUTDOWN 66 REVUE with Larry Morris, Midge Marsden & Dave Hurley will perform material from the earliest parts of their careers - when R&B meant songs cribbed from UK groups with names like the Stones, Yardbirds,  Things, & Sect. It also meant growing your hair long which invited much public ridicule and derision not to mention a good hiding in the provinces. Returned servicemen would tell them disapprovingly ‘We fought the war for you!' The hair ain't as long as it once was - but the fire still burns.

Fuelling the fire will be The Mystic Eyes. They've backed Ray(s) Columbus and Woolf, and Wanda Jackson even, and will set the tone to overdrive for the night.

THE (AUSTRALIAN) PLEAZERS

Arriving in NZ the same time as the Pretties did in August 65, when they opened Auckland's Galaxie nightspot (after owner local svengali Eldred Stebbing had made them paint the joint) The Pleazers caused many a jaw to drop, with their two lead singers, the longest hair in town, and a scorching set of R&B honed in Brisbane and Sydney. The intuitive Stebbing was looking for an act to replace Ray Columbus & The Invaders on his roster and brought the group to NZ. "What has god wrought?" was the reaction. A live television performance in September of Bald Headed Woman with howling feedback and  snarling original singer Bob London (who hadn't seen a barber in some years) caused mothers and fathers of the nation to protest muchly in the local papers. Bob left the group under mysterious circumstances and was replaced by UK immigrant Shane (real name: Trevor) Hales, who brought his impish energy to the group. During their tenure at Zodiac between 1965 and 1967 Stebbing recorded excellent singles, a face-melting EP, and an LP. Eleven years before the Sex Pistols The Pleazers recorded Dave Berry's Don't Gimmie No Lip Child not to mention the ball mashing backing on the Pretty Things Come See Me they laid down for blonde songstress Sandy Edmonds for her mid 66 release.  Their appetite for off-stage antics was infamous. Shacked up in a  Northland St house, the 'goings-on'  - séances, ghosts, naked women riding horses through the backyard, not to mention their nick names Speedy, Phantom, Bunt and Shagger only added to their reputation.

Cut to 2012 and The Pleazers are back. Last seen in Auckland in 2007, once again singers Shane & Bill Bacon, rhythm Peter 'Bunt' Newing, lead - Bruce 'Phantom' Robinson, drummer - Denis 'Speedy' Gilmore and bassist Ronnie Peel bring their R&B to town.

SUGGESTED R’N’B HIGHLIGHTS - Bald Headed Woman, Gloria, Don't Gimmie No Lip Child, Baby Jane, 175

LARRY MORRIS

There's a photo of the last Pretty Things show in NZ at the Top 20 (now Bluestone room just off Durham Lane) in late August 1965. . The Pretties are in full swing and the two local groups on the bill, the Dark Ages and Larry’s Rebels, are standing right behind them. Larry Morris can be clearly seen taking it all in. The Taumaranui boy was fresh out of the navy when he joined The Rebels. Signed up by Benny Levin and Russell Clark to their Impact label in 1966, Larry’s Rebels cut some of the finest singles of any NZ group of the sixties. Sure there were the pop hits for the girls; important in marketing any pop band, but the group also had an edge with young guitarist John WIlliams.  Combined with Larry's gritty vocals and powerful live presence there are unpolished nuggets amongst their pop gems. Given the Rebels treatment they turned these handpicked songs into their own with many NZers from the time still thinking they are their songs, such was the conviction they were covered. I'll Make You Happy (The Easybeats), Whatcha Gonna Do About It (The Small Faces), I Feel Good (The Artwoods) It's Not True (The Who), Painter Man (by UK MOD GODS The Creation) , not to mention  Jimmy Page teaching John the chords to Train Kept A Rolling on the 1967 Yardbirds tour.    They cut their teeth performing the length and breadth of the Dominion from 1966 to 1969 including the Animals tour when they experimented with LSD in Rotorua.  Larry left the Rebels to go solo in the late 60s carving a reputation in the local music industry.

Larry was at the last Pretty Things show in NZ and it’s only fitting we have him back.

SUGGESTED LISTENING - Whatcha Gonna Do About It?, I Feel Good, Flying Scotsman, Painter Man, I'll Make You Happy

BREAKAWAYS – MIDGE MARSDEN AND DAVE HURLEY

The Pretty Things played Wanganui in 1965. Sitting in the audience were Taranaki beat band The Breakaways. The memory is firmly imprinted in Guitarists Midge Marsden and Dave Hurley minds. Overnight their attitude was changed, their repertoire became tougher and hair went longer, not that they were that far behind with many a local Wanganui lass thinking that in their threads, boots and long tresses they WERE the Pretties. The Breakaways recorded for HMV. Their two albums are now highly sought after by collectors. Dave Hurley's Dick Taylor influenced guitar stands out a mile.   On their second album - they belt out the Pretty Things Rosalyn at 100 mph, and a not-too-shabby version of Come See Me.

Midge became a local legend and respected student of the blues. After a short time running a fish and chip store the ever modest Dave Hurley can lay claim to many a notable first in NZ raw rock and roll history, no doubt inspired by that moment in 1965. In the early seventies he started Mandrill Recording Studios with Glyn Tucker. Early clients of Mandrill were The Scavengers, and Toy Love. He produced the Suburban Reptiles' Saturday Night Stay At Home, sold Chris Knox his first 4 -track - yes THAT 4 track that started Flying Nun,  and his name is even on the back of early Flying Nun releases.

SUGGESTED LISTENING - Baby Please Don't Go, Farmer John, Ain't Got You, Rosalyn

Don't miss this chance to see these actual factual legends when they play the Powerstation this December!

http://www.theprettythings.net/  http://www.ticketmaster.co.nz/  http://www.realgroovy.co.nz/

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