20 November 2020 - 0 Comments
Having played together
since their early teens after forming at Mt Maunganui high school, The Leers have years of playing live together under their belt, yet they’re just hitting
their stride with the release of these new songs. Their second release after
their debut album Are You
Curious? in 2016, the new album sees the addition of a fifth band
member Kiki Rockwell, and harkens a bigger sound to their trademark indie
guitar rock.
Recorded in the “before times” – November 2019, right before COVID-19 started
wreaking havoc across the world– the band flew to Los Angeles to record the EP
over two weeks at Mad Muse studios, the studio of their US record label, In
Flight Music Group. In a serendipitous event, In Flight CEO and head engineer
Matt Salazar had discovered The Leers in an article about the band recording
some tracks to tape at York St studios, and the band developed a relationship
with the label which eventually lead to this EP.
The Only Way Out Is In
was recorded and mixed by Salazar, who co-produced the EP with the band in the
same studio used by bands like The Head and The Heart. With a passion for
collecting equipment, Salazar’s gear addiction meant the band had their pick of
any instrument, any guitar tone or sound they wanted from the racks of outboard
gear and stacks of backline gear and drums available to them. They may also be
the only band in New Zealand who can say their songs were recorded on an SSL
8000 G+ console formerly owned by Dr Dre.
Lead singer Matt Bidois describes the experience as “insanity”. “It was
incredibly eye-opening. Going from a shed on a farm where we write all of our
music, to a world-class studio with endless amounts of incredibly expensive
equipment humbled us in a lot of ways. It changed our focus from “parts” of
music that we create to how those parts sound and how changing that sound can
really add or take away from the song. It sounds obvious saying it out loud,
but the endless options working at Mad Muse presented really put into
perspective how little we scratch the sonic surface as artists which is
super exciting. Like find a new room in your house you didn’t know was there.”
On returning to New Zealand, the band was looking forward to releasing their
album and touring, but COVID-19 put a stop to all that. However, in July they
played two massive shows supporting L.A.B at Spark and Claudelands arenas,
giving the band a chance to play these new songs live to their biggest
audiences so far.
The album features eight new songs and ends with a cover of Kavinsky’s electro
classic Nightcall. Bidois says the songs on The
Only Way Out Is In are on another level from their earlier
material. “I think we’ve matured a little bit where we can actually let the
song do the heavy lifting without doing a million things in three minutes, but
also keep it interesting.”
“We never really set out to theme the songs in any way. Whatever came out
lyrically is just what was going on inside. I love that therapeutic aspect to
songwriting. It really breaks down some delusions you didn’t know you had until
you’re in the booth listening to a vocal take thinking ‘wow that’s actually how
I feel about that, and I didn’t really realise’. The songs definitely centre
around love in a way that focuses on the struggles and the hardships that
oftentimes make it more valuable.”
With Kiki Rockwell added on keys and backing vocals, Bidois says her presence
has been a huge asset. “We’ve been adding so many different layers, vocals and
keys to our songs and there’s only so much four of us could pull off so when we
went back to play them live they sounded so empty. Kiki has been making the
songs sound whole again and it’s been so much fun sharing the songs with her.”
The band has a big summer ahead of them with appearances at NZ’s biggest
music festivals. When asked how they’re feeling about playing Rhythm &
Vines, Kaleidoscope, Electric Avenue and Soundsplash, Bidois had just one word:
“Ready”.
The Only Way Out Is In is out now
on all digital platforms.
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