Gig Review: The Best of Come Together @ The Civic Theatre, Auckland - 9/12/2023
12 Dec 2023 // review by roger.bowie
Get your
heads around this line-up:
The
singers: Jon Toogood, (lead and backing vocals), Julia Deans (lead and backing vocals), Dianne Swann (lead and backing vocals and occasional guitar), Samuel Flynn Scott (vocals and guitar), James Milne (lead and backing vocals), Milan
Borich (Mick vocals)
The players: Jol Mulholland (guitars and vocals), Brett Adams (lead guitar and vocals), Mike
Hall (bass), Matthias Jordan (keyboards), Alastair Deverick (drums), Finn
Scholes (trumpet, clarinet and percussion), Nick Atkinson (sax and percussion).
Stopped
spinning?
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A Crude Mechanical - Album Review: Discourse
08 Dec 2023 // review by roger.bowie
Shane
Warbrooke doesn’t believe in lyrics, because of the risk of lyrics being
hi-jacked and meanings bent to suit ideologies which he doesn’t like. Well,
such ideologies which most of us don’t like, truth be known, but then again, Beethoven
didn’t write lyrics, so the freedom of speech counter argument only goes so
far.
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Velvet Arrow - Album Review: Songs of Solitude
17 Nov 2023 // review by roger.bowie
A Song Of Hope & Fear would normally be a contradiction in terms unless
darkness prevails and light shines through, which is an appropriate metaphor
for the debut album from Whangarei’s Velvet Arrow and the opening song, with
Dan Stenhouse’s husky voice helping us through the night against a ghostly
horror wail from Hannah Jane. After all it’s just a song to help you through
the night, just the words that speak, it’s not real.
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Gig Review: Atomic: Women of Rock @ The Civic, Auckland - 11/11/2023
13 Nov 2023 // review by roger.bowie
What a feast of nostalgia we’ve had from Liberty Stage (Simone Williams) these past
few years, as New Zealand’s finest have Come Together to
cover the classic albums which made the soundtracks of our youth. In addition to this, there have also been special
tributes like Tami Neilson’s rock ‘n roll party with Dinah Lee, just last
month.
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Dimmer - Album Review: Live At The Hollywood
09 Nov 2023 // review by roger.bowie
Wow, not very often that we see alive album these days, an unusual beast, but that’s we have, a 14-track monster from Dimmer, recorded from last year’s sold-out trilogy at the Hollywood Avondale. Which, if you didn’t get to go last year, you can still see on December 2nd at the Powerstation, unless, like me, you are going instead to The War on Drugs.
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The Mons Whaler - MNZ Interview: It's a Wrap with Roger S02 / E08 - The Mons Whaler
25 Oct 2023 // interview by roger.bowie
Bursting through the ocean surface just of the coast of Taranaki, The Mons Whaler breaches and cavorts, a brand new 3 now 4 piece band who play the blues, swampy blues, hill country blues, blues blues, and have just released their debut EP.
Roger Bowie raps with Hemi Coates about this extraordinary new arrival on our shores and how it all came about.
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MNZ Interview: It's a Wrap with Roger S02 / E07 - Faith Wilde
19 Oct 2023 // interview by roger.bowie
Check out Roger Bowie rapping with Faith Wilde, from Auckland band Goodnight Faith, and currently based in America where she is living the dream in a trailer park in Branson Missouri working by day and recording into her portable studio by night.
Apart from jumping on stage in Des Moines and singing Dial Drunk better than Noah Kahan himself (and he said that).
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The Mentalist Collective - Album Review: Signal Hill
13 Oct 2023 // review by roger.bowie
Here’s a
great new band from Dunedin, a collective of mentalists who write and perform
and presumably subscribe to mentalism, which is a kind of magic but with
psychology at its core. They might play tricks on you, but it’s for a good
cause.
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Summer Thieves - Album Review: Cigarettes in Space
29 Sep 2023 // review by roger.bowie
I rediscovered Summer Thieves during the recent Going Global showcases
down in the cellars on K Road, and was mightily re-impressed, although slightly
irked to discover that I missed their second album during the fog of lockdown.
But not to worry, they are back with their third album Cigarettes in
Space which opens with a deeply funk bass riff propping up a Spaceship
with echoes of Major Tom translated into modern day thievery.
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Going Global Review: Day 2 Showcase
03 Sep 2023 // review by roger.bowie
Saturday
night at the Whammy trinity and we know the score. Artists in the round,
although we are the ones moving underground, 20 minutes tops, immaculate precision.
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Going Global Review: Day 1 Showcase
02 Sep 2023 // review by roger.bowie
The Going
Global Music Summit brings together a host of international music industry folk
and they talk about the industry. It’s organized by IMNZ (Independent Music NZ)
and the NZ Music Commission.
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Evan Silva - Album Review: Reihana Street
31 Aug 2023 // review by roger.bowie
Out of the
blue, nearly 60 years in the making, lands Reihana Street in my inbox with an
extraordinary back story.
Evan Silva was an altar boy gone wild, a Mission Bay mafiosi, and a singer/songwriter from
the mid-sixties, starting at age 13 singing pop songs, before settling into
soul and then selling that soul to the excesses of the 60’s in Kings Cross centred
Sydney, sailing close to the edge, before epiphany struck, and overnight, life
changed.
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Sonia & Nigel - Album Review: Sweet Paname
04 Aug 2023 // review by roger.bowie
In the
middle of last month, just in time for Bastille Day, Sonia Wilson released the
digital version of her paean to Paris, Sweet Paname.
Sonia is
Franco-American, born and educated in Paris, and now resides in Auckland after
a peripatetic period of travel.
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Jiahu Symbols - EP Review: For The Good Times
01 Aug 2023 // review by roger.bowie
The Jiahu
Symbols are an early language form found on 16 distinct markings discovered in China
in the late 1980's and estimated at 6000 years old. Not thought to be joined up
writing, more a precursor.
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You, Me, Everybody - Gig Review: You Me Everybody @ Tuning Fork, Auckland - 23/07/2023
25 Jul 2023 // review by roger.bowie
A nice cosy
seating arrangement greeted us on Sunday night to contrast the winter gloom as
the Tuning Fork opened its doors nice and early for a night of music from old
friends. You, Me, Everybody are on tour to celebrate the fame and attention they
have been receiving since having a song chosen for the Netflix series Sweet Tooth,
and so now we are paying attention to them and they to us!!!
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Like Angels - Album Review: Your Day Will Come
18 Jul 2023 // review by roger.bowie
Like Angels is the new solo project from Lyttelton based Robert McLean, and was also the
title track of his previous release with his band How to Kill, back in 2010.
Robert has taken time away from music but is now back home and has written and
self-produced an 88 minute album of progressive apocalypse in Killswitch studios
(now that seems appropriate) in Lyttelton.
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The Mitchell Twins - EP Review: Find a River
16 Jun 2023 // review by roger.bowie
The
Mitchell Twins are Maegan and Nicola, with Nicola being the left one, if you
can’t tell them apart. They have grown up in Gore as part of the Mitchell family,
and now are following in the footsteps of big sister Jenny, with whom they have
been seen over the past few years in a backing vocals capacity.
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Jazmine Mary - Album Review: Dog
01 Jun 2023 // review by roger.bowie
Jazmine Mary’s
sophomore offering is out today; Friday June 3rd, and it’s called Dog.
Why it’s called Dog they are not saying, but there are
references to “Houndog” and “Flower Power” in the outro to Seagull, so
maybe that explains it or maybe it doesn’t.
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Barry Saunders - Barry Saunders & Adam Hattaway - Single Review: Keep On
19 May 2023 // review by roger.bowie
Keep On is the title
track of a Warratahs album released in 2006 (don’t mind that Spotty-fi has it
as 2020). An almost lost song, as was the album, but a classic Barry Saunders story centred around someone, could be
an acrobat, somewhere, where they don’t want to be, meeting a woman who shakes
stars from her hair, dreaming in the morning, drinking in the afternoon, realising that love is the only thing missing, and therefore it must be plain sailing
from here, just keep on, keep on, keep on.
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No Broadcast - Album Review: The Common Thread
11 May 2023 // review by roger.bowie
No
Broadcast started out in the noughties and started releasing their music in
2011, when commonly regarded as a three piece.
Two EPs and
three albums later the band has evolved into a musical collective which is
predominantly the vehicle for musician and vocalist Josh Braden’s eclectic
soundscape experimentation.
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Tiny Ruins - Album Review: Ceremony
27 Apr 2023 // review by roger.bowie
Covid is still all around, but the alienation and
dysfunction has gone, yet here we are, still salvaging the experiences of just
before and during the world of hidden people and silent things. We’ve just
experienced the hero’s journey of Finn Andrews as he comes out of the void to
find love, and now we are simply blessed by the pain in the lyrics of the songs
which Hollie Fullbrook started writing four years ago and longer and now find
catharsis in the music of Tiny Ruins.
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Zephyr Love - Album Review: Homage
21 Apr 2023 // review by roger.bowie
If you like your rock retro, California retro with more than
a hint of Boston, you’ll like the debut album from Chris McCollum under the
moniker Zephyr Love, which is out now and will be featured live at the
Anthology Lounge this Saturday night. The album is called Homage and it
certainly is.
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Damien Binder - Album Review: Bright Side
20 Apr 2023 // review by roger.bowie
Damien Binder’s new album Bright Side has been toiling away in the background for nearly three weeks now, trying to connect. There’s something vaguely familiar about the sound and about that voice and the name also rings a bell louder than the natural conclusion that it’s just a good rock n roll name.
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The Veils - Gig Review: The Veils @ The Powerstation, Auckland - 1/04/2023
02 Apr 2023 // review by roger.bowie
The much-anticipated album release tour by The Veils finished in Auckland last night at the Powerstation. And Out of the Void
Came Love is an epic offering of songs which see Finn Andrews oscillate between
his solo self and his bandleader self as he completes the transition in his
life from incessant touring and writing and fronting his English and London
based band to a quieter life back home in New Zealand with new found family bliss
and the chance to breathe and live, despite the frustrations of the last few
Covid years.
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The Loving Arms - Album Review: Dreaming Over You
01 Apr 2023 // review by roger.bowie
Auckland quintet The Loving Arms have released their debut album, Dreaming Over You, just a few weeks ago, after a two-year journey made longer by the conviction that better music comes from having other people in the room. Not for these guys the convenience of recording in isolation.
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Matt Joe Gow - Album Review: Between Tonight and Tomorrow
09 Mar 2023 // review by roger.bowie
There’s a simple drumbeat and then this quintessential Americana
voice bursts forth and it’s a shipwreck, which is no place to start, but this
ship’s been sunk for years and years and Matt Joe Gow opens his fourth album
with a Shipwreck and it’s a great place to start, with a rich, full
sound and Katya Harrop on backing vocals, and we’re away…
Matt Joe Gow is a man who knows who he is, is comfortable in
his skin and oozes authenticity into his entire persona and so it’s no surprise
that this persona translates into song. He’s from Dunedin but has plied his
trade in Victoria for umpteen years and happily for us is increasing his focus
on his home country fans, with a short tour just completed and more to come…..
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Fraser Ross - Gig Review: Fraser Ross w/ Hannah Everingham @ Wine Cellar, Auckland - 4/02/2023
06 Feb 2023 // review by roger.bowie
It’s a balmy Auckland evening with no rain, yes, no rain,
yes, no rain, yes, I really mean no rain and we’re at the Wine Cellar to see
Christchurch/Lyttelton based musicians Fraser Ross, who is headlining, and Hannah Everingham, who is opening, except she’s not, because Babe Martin pops
up ahead of her. Very cool singer songwriter who has another life as Zoe Larson
Cumming who you will hear on 95bfm.
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Come Together: The Beatles @ Kiri Te Kanawa Theatre, Auckland - 12/11/2022
13 Nov 2022 // review by roger.bowie
The Beatles wrote much of their ninth album, their first
double, on a Transcendental Meditation course in India with Maharishi Mahesh Yogi,
in early 1968. They called it simply “The Beatles”, but, in contrast to the
previous album cover for Sergeant Pepper, extreme in colour and pageantry, this
album was just…….
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Mel Parsons - Album Review: Slow Burn
15 Sep 2022 // review by roger.bowie
Mel Parsons’ 5th album is out today, September 16 and it’s been a Slow Burn, a journey of highs and lows as the world of lockdown and locked out intervened in thousands of creative processes sometimes positively other times depressingly and if nothing else this record is a reflection of these times. The opening track, Lights “when the lights can’t always be on, you can’t expect that I’ll always be strong” captures the malaise which follows a pandemic, and the dark flavour and nuance of the songs on Slow Burn often conflate the sense of generic, world melancholy with deep personal issues.
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Killergrams - MNZ Interview: It's A Wrap with Roger 016: Killergrams
24 Aug 2022 // interview by roger.bowie
Roger Bowie caught up with Tom Maxwell from Killergrams down in Kurow where he was adding touches to the Killergrams' sophomore album, due out later this year.
Tom was on his phone and outside so at times the connection weakened and then the studio dog bombed in as well as Steve from Sublime but that's life in the deep south.
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Jodi Vaughan - Album Review: For The Love of Country
05 Aug 2022 // review by roger.bowie
The moment Tennessee Dancing strikes
up, we know we are in a deep country space. Somewhere just out of Nashville,
maybe a famous farm, maybe an even more famous figure, but actually, no, fooled
you, we’re in the country alright, but close to home, in our very own Waikato
country.
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Jenny Mitchell - Album Review: Tug of War
12 Jul 2022 // review by roger.bowie
Jenny Mitchell releases her third album on July 22nd. It’s Tug of War, a collection of sweet songs which see Jenny wear her heart on her sleeve and talk about all the pushes and pulls of a still young life where “things don’t always work out the way they do in your mind”.
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Mel Parsons - MNZ Interview: It's A Wrap with Roger: Mel Parsons
30 Jun 2022 // interview by roger.bowie
I caught up with Mel Parsons at home in Lyttelton, the one place on earth where everyone who has ever recorded a song, comes from, or so it seems. Almost a cliché, Mel reckons, but although it is, in its essence, a village, Lyttelton is also a hideaway, and Mel more often sees her fellow artists at the airport, off doing their thing.
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Arun O'Connor - Album Review: Songs From The Reading Room
17 Jun 2022 // review by roger.bowie
Arun O’Connor is as good as gold when I
speak to him in dark and gloomy Invercargill about his new album, his debut
album, Songs From The Reading Room, which came out sneakily in late
April.
You can see my interview with Arun in my
interview series, ‘It’s a Wrap with Roger” here, but the dark and gloomy winter afternoon seems appropriate when you
play the first song on the album, When the Darkness Comes Around.
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Samuel Philip Cooper - Single Review: Forever Loved
12 May 2022 // review by roger.bowie
Somewhere, over the rainbow, Samuel Philip Cooper’s Nana is still
sitting in her favourite chair, a grey-haired old lady with a hint of a smile
enjoying the late afternoon sun dappling into her garden.
In reality Samuel’s Nana passed away during lockdown and he
never got to say goodbye.
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Tess Liautaud - Album Review: Tess Liautaud
12 May 2022 // review by roger.bowie
Oh, the people of Christchurch have got music and soul everywhere, and yet another singer/songwriter emerges with an astonishingly mature debut and an international pedigree. Tess Liautaud is French, American and now Kiwi.
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Davey Beige - EP Review: Rise Above
05 May 2022 // review by roger.bowie
Davey Beige comes straight out of the blocks on his new EP Rise Above. 80 In A 50km Zone is just what it implies, we’re off
and running at almost top speed, even though “Life goes way too fast”.
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Tony Lee - Album Review: Man on Mars
11 Apr 2022 // review by roger.bowie
Tony Lee is a Man on Mars. With a “here we go” Tony Lee’s band launch into a hootenanny rocking billy of an opening song which reminds me of the kind of frantic rhythm you might see and hear at Roberts Western World of a night, any night, on Broadway in Nashville.
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Jamie McDell - Album Review: Jamie McDell
04 Mar 2022 // review by roger.bowie
What a year it has been for Kiwis in Nashville. Just last
month we had Cy Winstanley from Tattletale Saints pass through (on holiday), South
for Winter play a few cameo gigs supporting the release of their great little
record Luxumbra, and then Jackie Bristow releases her 5th album, recorded in Nashville, while she stayed locked down here in New Zealand.
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Don McGlashan - Album Review: Bright November Morning
24 Feb 2022 // review by roger.bowie
Don McGlashan is gliding into iconic, almost patriarchal status in New Zealand’s musical heritage. His narrative is ours, his perspective the everyday, the mundane, the tragic and the joyful; snapshots of Kiwi normal, and occasionally not so.
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Kendall Elise - Gig Review: Kendall Elise @ Kumeu Live, Kumeu - 19/02/2022
20 Feb 2022 // review by roger.bowie
It’s an easy drive out west on this balmy February evening because everyone must be somewhere else or dodging aerosol missiles at home or flinching at the news from Ukraine. Kumeu Live is a small venue fashioned out of the Arts Centre with seating for 40-50 inside and an open flow outside to benches on a concrete court.
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Adam Hattaway & The Haunters - Album Review: Rooster
18 Nov 2021 // review by roger.bowie
There’s a rooster down south, hiding out in Woolston, Christchurch and this rooster struts around like Jagger, high kicks Van Morrison out of the henhouse, and wakes you up in the morning with a raucous squawk. Why won’t that rooster shut the fuck up?
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Stewart Allan - Album Review: 9 Rooms
18 Oct 2021 // review by roger.bowie
Oh my goodness, how many more hidden talents do we have in this lockdown land? Stewart Allan has been a musician for over 20 years and first made a name for himself in a forest in Poland before the wall came down.
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Reb Fountain - Album Review: Iris
01 Oct 2021 // review by roger.bowie
Psyche emerges from an opening string sequence which evokes a western movie soundtrack before simplifying to a naked piano behind a barrage of poetry and sailing under a vast star….”who are we in this life?
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Kerryn Fields - Album Review: Water
19 Aug 2021 // review by roger.bowie
At last, some 2 ½ years after seeing her for the first time and hearing some new songs, Kerryn Field’s sophomore album, Water hit my inbox (thanks Kerryn) and is now firmly ensconced in my hard drive. Now I can listen to the whole collection, and from the opening unaccompanied courageously operatic shrill, Atlantis emerges… we’ve heard this song before, the one which pays homage to Rust Never Sleeps and Pocahontas and the death wish which surges in response to the way Kerryn’s partner loves that song.
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Graeme James - Gig Review: Graeme James @ The Tuning Fork, Auckland - 13/08/2021
15 Aug 2021 // review by roger.bowie
On a cool spring evening (spring always started in August where I grew up, down south) the Tuning Fork is nicely staged with a clutch of instruments neatly arranged in anticipation. The modest crowd bunches up to form an intimate cluster and a familiar face takes the stage in the form of Chris/Albi without the Wolves, or at least half of them because the willowy, billowy puppet-like figure of Pascal Roggen also joins him on half a dozen instruments more commonly known as the violin.
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The After - Gig Review: The After @ Anthology, Auckland - 12/08/2021
14 Aug 2021 // review by roger.bowie
It’s a year and a bit on and here we are again at Anthology for a night of rock curated by Andrew Featherstone and featuring his band The After. Last year we were left a bit muddled about promises of things to come and whether it would be the hereafter, but no, it’s more like an AfterFest.
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Graeme James - EP Review: Field Notes on an Endless Day
29 Jul 2021 // review by roger.bowie
Graeme James wasn’t planning on becoming a folk singer. Yes, he trained as a violinist from the age of seven, gradually extending his prowess to include other instruments, most prominently the guitar, and other genres, specifically folk, because the family had a band.
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Gig Review: Come Together: Goodbye Yellow Brick Road - Civic Theatre, Auckland - 17/07/2021
18 Jul 2021 // review by roger.bowie
Goodbye Yellow Brick Road was never my favourite Elton John record, even though it turns out to be everyone else’s. At 76 minutes, it was long for its day, a ramshackle, mixed metaphor affair which reflected the prolific nature of the John/Taupin creative partnership in the early 70s, seven albums in five years, too many songs and too much excitement to attempt to cull and reject.
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