22 Dec 2024
UsernamePassword

Remember Me? | Join | Recover
Click here to sign in via social networking

Going Global Review: Day 1 Showcase

02 Sep 2023 // A review by roger.bowie

The Going Global Music Summit brings together a host of international music industry folk and they talk about the industry. It’s organized by IMNZ (Independent Music NZ) and the NZ Music Commission. And to remind visitors and locals alike, that New Zealand has great music of our own, there are two nights of showcases in the Whammy Bar labyrinth in K Road. Going local, is more appropriate, and the great reveal is in the open doors off dank underground corridors which link the three venues, Whammy, Wine Cellar and The Back Room (or is it the front?). Ah, so that’s what this place is really all about.

Ok, so the gig goes like this, Twelve 20-minute sets, impeccably timed, which means the artists get 3 or 4 songs and we get a great taste of what is new and vibrant about the local music scene. But if you want to see it all, you need to cut that 20 minutes back a bit to manage the to-ing and fro-ing and the hustle and bustle of heaving crowds surging inwards and out and grabbing a drink and making friends. It’s a speed date, that’s what it is, but it saves a lot of time and effort to get to see people live on their own.

Ch! Nonso is up first in the Wine Cellar, it’s African music, and immediately I am transported back in time when I would frequent the African beer halls in the 80's and shimmer and sway to the rhythms of Africa with maybe 20 musicians on stage at the same time playing different sequences and scales which miraculously come together in a pulsation of polyrhythm. But this is 2023 in Auckland and the Wine Cellar stage struggles to handle 6 musicians, yet the sound is unmistakable, and Nigerian born Nonso with his Afro mop and his Afro-Kiwi band put on a compelling show. Arena soul voice supported by Afro-beat. Two saxes and a trumpet provide the wall, and a manic effort on bongos obviates the need for drums. This is fun, funky and fresh, and we thank our lucky stars that Africa has come to us. The high life is the highlight.

Off to Whammy where the man who loves public transport is joining his band who stand rigidly in attention if not uniform, like toy lift operators, and Anthonie Tonnon, looking like a younger version of Delaney Davidson, is here to provide Entertainment. I saw Anthonie, I think in a supporting role, a few years back, and was only modestly impressed, but that was then, and this is now, and the Taite Music Award winner from last year is very impressive with his version of soaring synth 90's Brit-pop. Juggling a beer, a notepad and spectacle I clap silently without my Two Free Hands. You know that sound, no less reverent or appreciative. I also sing in mute. But this is already a great night. 

Scurry off to the Back Room (which seems like the front), where Tom Lark is standing to my left as I face the stage, with long hair flowing, not unlike Duane Betts, and that is the promise of the opening song, a little touch of southern rock, before the set subtly shifts in favour of a little folky rock tinged with psychedelia. Tom Lark is the stage name for Shannon Fowler, a refugee from Christchurch who hangs around in his little studio off K Road. It’s been 7 years since he last released under this moniker and his new album Brave Star was nominated for a Silver Scroll. I bought the album. Say no more? No more to be said.

Mel Parsons is sitting down in the Wine cellar with her acoustic guitar so you wouldn’t know she was there, except you can hear that strong sonorous voice overpowering the chatter as she runs through her four-song set. It might be a new song to open with, then her most successful Failure, some chat about a new single, maybe the song we heard in Gore, but that isn’t the one, it’s Carry On and so I must. One thing about Mel Parsons, she’s impeccably consistent. The other thing she is, of course, is consistently impeccable. 

PARK RD are parked up in Whammy and ready to rock. A young band formed in high school way out west, these guys are pure indie with a touch of surf. The lead singer is very tall. The guitar player shreds very nicely. The other guitarist is called Leo who has a new haircut. Can you Feel it Now. I’m sure one of the songs is the new single Secrets and they Did It Anyway and Park Road impressed the one person in the audience who is older than me. I am also easily impressed by the very best.

Clementine Valentine used to be Purple Pilgrims and now they aren’t. They are simply the two sisters using their real names playing their dreamy pop synth with folklore intent and they have a sensational new album, The Coin that Broke the Fountain Floor with Matt Chamberlain on drums, and streaming on Qobuz so I have it on demand and in the Back Room they deliver in spades.

Six acts in a row, all five star, I’m already exhausted.

Except the thieves with mullets in the summer are out and about again. I saw Summer Thieves at the Tuning Fork 3 years ago and was mightily impressed. I reckoned the future of live music in NZ was in good hands. Well, the Summer Thieves, I must tell you, have got better. Funk and reggae and snarly vocals and sensational guitar which brings a taste of Santana, and oh so, oh so tight, Summer Thieves have smashed the ball way out. Saturday Night, Funny How The Night Works and even a cover, was it Creep? I’m beyond impressed and can’t take any more…but the one hot tip I got during the night was the must-see D.C. Maxwell.

And so, I stay for one more gig, and met the charming young man who transforms and explodes into gyrating Jon Spencer as he personifies the dark characters he conjures up in his compelling songs about bank robbery, murder on the stage, out stealing horses and other songs of bitterness and regret. He’s a former punk gone country, and we know what happened to the last artist who trod that path, went and became Nick Cave, that’s who, and night D.C. Maxwell is like Cave on steroids. He has a new album out. I bought that one too, as I clambered up the stairs to avoid pumpkin time.

8 acts from 12, is all I can sanely achieve, but that’s a pass, and there’s another night to come….

Going Global, acting local, a great night out in the cellars.

 

Other Reviews By roger.bowie

Album Review: Subset BC
16 Dec 2023 // by roger.bowie
Here’s an interesting little thing from Gisborne. A funky little band with three bass players.
Read More...
Gig Review: The Best of Come Together @ The Civic Theatre, Auckland - 9/12/2023
12 Dec 2023 // by roger.bowie
Get your heads around this line-up:  The singers: Jon Toogood, (lead and backing vocals), Julia Deans (lead and backing vocals), Dianne Swann (lead and backing vocals and occasional guitar), Samuel Flynn Scott (vocals and guitar), James Milne (lead and backing vocals), Milan Borich (Mick vocals) The players: Jol Mulholland (guitars and vocals), Brett Adams (lead guitar and vocals), Mike Hall (bass), Matthias Jordan (keyboards), Alastair Deverick (drums), Finn Scholes (trumpet, clarinet and percussion), Nick Atkinson (sax and percussion).  Stopped spinning?
Read More...
A Crude Mechanical - Album Review: Discourse
08 Dec 2023 // by roger.bowie
Shane Warbrooke doesn’t believe in lyrics, because of the risk of lyrics being hi-jacked and meanings bent to suit ideologies which he doesn’t like. Well, such ideologies which most of us don’t like, truth be known, but then again, Beethoven didn’t write lyrics, so the freedom of speech counter argument only goes so far.
Read More...
Gig Review: The Phoenix Foundation @ Hollywood Avondale, Auckland - 24/11/2023
26 Nov 2023 // by roger.bowie
This is a first of many things. I’m not sure I’ve ever seen The Phoenix Foundation play live.
Read More...
Velvet Arrow - Album Review: Songs of Solitude
17 Nov 2023 // by roger.bowie
A Song Of Hope & Fear would normally be a contradiction in terms unless darkness prevails and light shines through, which is an appropriate metaphor for the debut album from Whangarei’s Velvet Arrow and the opening song, with Dan Stenhouse’s husky voice helping us through the night against a ghostly horror wail from Hannah Jane. After all it’s just a song to help you through the night, just the words that speak, it’s not real.
Read More...
Gig Review: Atomic: Women of Rock @ The Civic, Auckland - 11/11/2023
13 Nov 2023 // by roger.bowie
What a feast of nostalgia we’ve had from Liberty Stage (Simone Williams) these past few years, as New Zealand’s finest have Come Together to cover the classic albums which made the soundtracks of our youth. In addition to this, there have also been special tributes like Tami Neilson’s rock ‘n roll party with Dinah Lee, just last month.
Read More...
Dimmer - Album Review: Live At The Hollywood
09 Nov 2023 // by roger.bowie
Wow, not very often that we see alive album these days, an unusual beast, but that’s we have, a 14-track monster from Dimmer, recorded from last year’s sold-out trilogy at the Hollywood Avondale. Which, if you didn’t get to go last year, you can still see on December 2nd at the Powerstation, unless, like me, you are going instead to The War on Drugs.
Read More...
Killergrams - EP Review: Lonely Nights In A Little Town
27 Oct 2023 // by roger.bowie
Someone walked out, and Tom Maxwell has lost his mind, in a gentle, acoustic way. Then his mind explodes in a cacophony of chaos, which might just be what it feels like, losing something that important.
Read More...
View All Articles By roger.bowie

NZ Top 10 Singles

  • APT.
    ROSÉ And Bruno Mars
  • DIE WITH A SMILE
    Lady Gaga And Bruno Mars
  • BIRDS OF A FEATHER
    Billie Eilish
  • TASTE
    Sabrina Carpenter
  • I LOVE YOU, I'M SORRY
    Gracie Abrams
  • ESPRESSO
    Sabrina Carpenter
  • SAILOR SONG
    Gigi Perez
  • LOSE CONTROL
    Teddy Swims
  • A BAR SONG (TIPSY)
    Shaboozey
  • GOOD LUCK, BABE!
    Chappell Roan
View the Full NZ Top 40...
muzic.net.nz Logo
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report a ProblemReport A Problem