22 Nov 2024
El Schlong - El Schlong – The Baddies Are Coming
25 Jun 2008 // A review by CEOMong
8 fairly long tracks comprise this really rather fine album, laden with toughness, for the most part lighter on the vocals than many other metallers out there. Huge sound from this Wellington-based Dunedin-raised 3 piece, cranking out some tidy and oft delicate tunes. Thrashy in places, insightful and constantly surprising, well-constructed metal. Excellent space-out or background music, I’ve listened to this album over and over quite a few times now, and every time I get something different out of it, like it’s brand new every single time. And now I can’t get Arthur out of my head.
The Baddies Are Coming – a schmaltzy lounge lizard tune, blues gax and delicate rhythm section, good ole thrash smeared on an acid riff. Cool trickiness with the lead gax, full deep basslines. Goose pimples from the mental ninja martial themes. Solid and eerie, an excellent title track. 1/3rd through really hits pace, solid speed metal with some mean tricky axe, sweet, full, environmentally rich. Mournful drums of defeat, turns into exultant patriotic revolution, the baddies, they be leaving.
BungFace – piano busts out into mean headbanging riff amid throaty vocals. Short, sharp, angry. Transforms to soft sinisterness before maturing into dominant basslines and giant kickdrums. The Room – Another headbanger amid solid dominant themes, a touch of backup vocals and choir effect. Rolls on into a 70s buzz, and right back into the red-hots. Soft sleepiness, time for another bourbon thank you my good man …
Composting – solid bodyfelt riffs and double kicks, open and casual feel. Rocks out into some mean catchy riff action. All grows dark, and burns to a solid end, and climaxes into The Cow Jumped Over The Moon – delicate fingering and tribal drums combined with foreboding thunder in the distance. Explodes to a vista, an epic spiralling heavier track on the same theme but more massive and nerve-tingling. Vocals dig in a couple minutes through, a melodic choir kind of feel and solid bass beats.
Swing Accident – expectant heavy intro, rocks out into some massive metal vocal and the continuation of the martial theme introduced earlier. Epic heavy-dropping beats and general toughness lend this track something extra. Schmaltzy, bluesy and metal, all rolled into one tasty, mellow and sharp parcel.
Arthur R Nevilleson-Robertson-Brown – arguably history’s best name for a song (or for that matter, a dude). A witty and dry observation of the daily irony, mental battles, and slipperlessness that catch us all unawares.
Harbour Cone – ahhh, memories. Rockin headbanging boot tapping short riffs. The choir joins in again for a bit, and then the best chorus yet hits you right in the melon, sweet, balanced, velvety axes smash your head open and replace your gases. Touch of the choir again, very sneaky how that’s tucked away throughout much of the album. Gives it a nice roomy feel. Some mariachi band reprise action towards the end, before rocking back into the molten metal.
The Baddies are at your door.
CEO Mong.
8 fairly long tracks comprise this really rather fine album, laden with toughness, for the most part lighter on the vocals than many other metallers out there. Huge sound from this Wellington-based Dunedin-raised 3 piece, cranking out some tidy and oft delicate tunes. Thrashy in places, insightful and constantly surprising, well-constructed metal. Excellent space-out or background music, I’ve listened to this album over and over quite a few times now, and every time I get something different out of it, like it’s brand new every single time. And now I can’t get Arthur out of my head.The Baddies Are Coming – a schmaltzy lounge lizard tune, blues gax and delicate rhythm section, good ole thrash smeared on an acid riff. Cool trickiness with the lead gax, full deep basslines. Goose pimples from the mental ninja martial themes. Solid and eerie, an excellent title track. 1/3rd through really hits pace, solid speed metal with some mean tricky axe, sweet, full, environmentally rich. Mournful drums of defeat, turns into exultant patriotic revolution, the baddies, they be leaving.
BungFace – piano busts out into mean headbanging riff amid throaty vocals. Short, sharp, angry. Transforms to soft sinisterness before maturing into dominant basslines and giant kickdrums. The Room – Another headbanger amid solid dominant themes, a touch of backup vocals and choir effect. Rolls on into a 70s buzz, and right back into the red-hots. Soft sleepiness, time for another bourbon thank you my good man …
Composting – solid bodyfelt riffs and double kicks, open and casual feel. Rocks out into some mean catchy riff action. All grows dark, and burns to a solid end, and climaxes into The Cow Jumped Over The Moon – delicate fingering and tribal drums combined with foreboding thunder in the distance. Explodes to a vista, an epic spiralling heavier track on the same theme but more massive and nerve-tingling. Vocals dig in a couple minutes through, a melodic choir kind of feel and solid bass beats.
Swing Accident – expectant heavy intro, rocks out into some massive metal vocal and the continuation of the martial theme introduced earlier. Epic heavy-dropping beats and general toughness lend this track something extra. Schmaltzy, bluesy and metal, all rolled into one tasty, mellow and sharp parcel.
Arthur R Nevilleson-Robertson-Brown – arguably history’s best name for a song (or for that matter, a dude). A witty and dry observation of the daily irony, mental battles, and slipperlessness that catch us all unawares.
Harbour Cone – ahhh, memories. Rockin headbanging boot tapping short riffs. The choir joins in again for a bit, and then the best chorus yet hits you right in the melon, sweet, balanced, velvety axes smash your head open and replace your gases. Touch of the choir again, very sneaky how that’s tucked away throughout much of the album. Gives it a nice roomy feel. Some mariachi band reprise action towards the end, before rocking back into the molten metal.
The Baddies are at your door.
CEO Mong.
About El Schlong
So states guitarist/vocalist Leah Hinton.
Hinton formed El Schlong in Dunedin, New Zealand in 2003 along with fellow music student Nick Baldwin on bass. They cut their teeth and learned their craft in the city’s DIY student punk/metal scene before moving to the country’s capital in 2005.
Visit the muzic.net.nz Profile for El Schlong
Releases
Other Reviews By CEOMong
fleaBITE - Album Review: The Jungle is Jumping
21 Jan 2015 // by CEOMong
This is one kid’s CD that is unlike any other I’ve heard – The Wiggles they aren’t, unique they are, that’s for sure! My subject matter experts for this album are my wee girls Liz, 7, and Jen, 4½ - after repeated listens I asked them for their opinions on each track … with mixed results … and accompanying their comments are my thoughts.
Read More...
Shihad - FVEY Album Review
20 Aug 2014 // by CEOMong
I don’t know if it’s all in my head or not, but Jaz Coleman’s influence lends a certain classic element and a brooding depth to this album that breaks away from what has become, in recent times, some would say too radio-friendly jams. There’s a satisfying depth to the album the louder it gets – when isn’t that true for Shihad though, I suppose?
Read More...
Crash-Scan - Repeat Until False Album Review
21 May 2014 // by CEOMong
Mint physical release, a damned fine example of the post-CD era! I’ll admit up-front that even after several listens I couldn’t quite gel with this album ...
Read More...
Tankapalooza Festival, Palmerston North - 28/09/13
29 Sep 2013 // by CEOMong
12 hours, 27 bands, 3 stages, Willow Park tavern. From the start I was intrigued – “how they gonna make that work?
Read More...
29 Sep 2013 // by CEOMong
12 hours, 27 bands, 3 stages, Willow Park tavern. From the start I was intrigued – “how they gonna make that work?
Read More...
Head Like A Hole Monsta-X Tour @ The Royal, Palmerston North 17/08/13
18 Aug 2013 // by CEOMong
As first experiences go, this was pretty epic. I’d never seen HLAH before live, and honestly had no idea what to expect.
Read More...
Bloodsport – Blackest Darkness Album Review
14 Aug 2012 // by CEOMong
Short (sub 2 minute for the most part) grunty songs, strong consistent themes and imagery, all in all a very solid offering. At times predictable but also, therefore, reliable.
Read More...
14 Aug 2012 // by CEOMong
Short (sub 2 minute for the most part) grunty songs, strong consistent themes and imagery, all in all a very solid offering. At times predictable but also, therefore, reliable.
Read More...
Crimson Rain - Catastrophe Single Review
21 Jun 2012 // by CEOMong
Delicate intro, rolls into a picky soft hook. Nice vox harmonies throughout.
Read More...
Sinate - To The Death Album Review
14 Mar 2012 // by CEOMong
Damn I’m impressed, this is one cool album – especially as loud as I have it right now. I consider myself lucky to have the privilege to hear something like this, and it’s from Kiwis!
Read More...
Most Viewed Artists
Latest Galleries
NZ Top 10 Singles
- APT.
ROSÉ And Bruno Mars - DIE WITH A SMILE
Lady Gaga And Bruno Mars - BIRDS OF A FEATHER
Billie Eilish - TASTE
Sabrina Carpenter - I LOVE YOU, I'M SORRY
Gracie Abrams - ESPRESSO
Sabrina Carpenter - SAILOR SONG
Gigi Perez - LOSE CONTROL
Teddy Swims - A BAR SONG (TIPSY)
Shaboozey - GOOD LUCK, BABE!
Chappell Roan
More Content on muzic.net.nz
Google Site Search
Custom Search
100% New Zealand Music
All content on this website is copyright to muzic.net.nz and other respective rights holders. Redistribution of any material presented here without permission is prohibited.
Report A Problem
