Imagineering is the first proper album from Module (aka Wellington – via Canada – musician Jeremiah Ross) since 2005's Remarkable Engines; that’s not to say Module has been idle in the past 6 years – there’s been the 70+ minute, single track Dreams For The Sleepless, and a live album released to keep us, and Module, occupied. Those releases haven’t seemed to garner the attention that Remarkable Engines did though, which is a shame as it’s seen Module sort of disappear from our musical landscape (or perhaps just mine).
Imagineering has a somewhat darker sound, and is more introspective than the previous album, but is a much mellower listen at the same time, and should be as successful, if not more so, than its predecessor.
It still sounds distinctly like Module though and is an instantly likeable album, full of beeps and blips and quirky samples, and intriguing rhythms and sonic layering that will start to mess with your mind.
The album is mostly laid back and the tempo doesn't really pick up until towards the end of the album with the penultimate track, Endlessly Ocean, being as close to a return to the funkier form of Remarkable Engines as we’ll get from this release.
It’s not often that the title of an album fits the tone so perfectly but Imagineering is the ideal soundtrack to your daydreams.
Module is a Musician / Producer / Composer with over 35+ years creating and performing music. Starting age 4 with Acoustic Piano he completed his music theory lessons around grade 7, about 6 years later when his music teacher told him he was better off doing his own thing!
This lead to finding a 4 track recorder at cash convertors in his late teens, then a Amiga 500 computer with basic tracker software and endless tape cassettes and floppy disks, during this time he used synths, drum machines, guitar, bass and drums multi tracked with home made 8 bit samples and vocals.
Jeramiah created Module in 2003 as a solo project using a Pentium 2, Midi Keyboards, and Acoustic Instruments instruments and the ‘new virtual studio technology’ and started working on a idea of mixing everything together into his own ‘new’ style based around classical, electronic and singer songwriter and a performance character called “Module” 2 years later Remarkable Engines was released in 2005 by LOOP recordings which lead on to a constant touring schedule, working with Rhian Sheehan and Paul Mclaney & many other Music / Visual Artists.