02 November 2022 - 0 Comments
Pipsy is the musical project of Paul Pouwels McMillan (they/them), a songwriter and producer based in Te Whanganui-a-Tara.
Pipsy crafts alternative pop with poise and precision. Their tracks are full with warm melodies and tender vocal harmonies. Listeners will be reminded of the devotional jangle made by British post-punks in the 80's, as well as the stirring synth pop of the early 2000’s.
Three previously released singles All You Ever Wanted, Hey, OK! and Underdog have found their home on the Student Radio Network, as well as appearing on prized playlists such as Apple Music's New Music Daily and New in Indie, as well as Spotify's Fresh Cuts.
Today Pipsy shares their debut album All You Ever Wanted, a commanding artistic statement, and a debut that is mature well beyond its years.
PIPSY
All You Ever Wanted
out November 2, 2022
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With the album All You Ever Wanted, Pouwels McMillan cements themselves as an all rounder, producing, recording, and mixing the album, as well as playing all of the instruments on the record. Throughout the 11 tracks, Pipsy explores ideas of identity, self perseverance, and love.
“I wanted to really stretch myself with this album by incorporating lots of different instrumentation that I’d always wanted to add into my music,” says Pouwels McMillan. Songs like Underdog, Number One and the album closer I Love You, I Miss You lean heavily into the luscious warm synthesisers tones and rich vocal harmonies.
"Specific sounds from the 80's and early 90's were really important to All You Ever Wanted. During the making of this record, I became obsessed with researching the synth sounds that I grew up listening to. Synth sounds that featured in tracks by Talking Heads and Split Enz, as well as the soundtracks to Labyrinth, Nausicaä of the Valley of the Wind, and The Neverending Story. I traced my favourites back to the instruments that produced them, and then learnt how to make these sounds myself."
"I’ve always found synths from this time so emotive – particularly the Yamaha DX7, Roland D-50 and the Juno 106. Some of the sounds that you can get out of these instruments are so dream-like, so they’re a big feature of the album. Once I incorporated my classic 60's keyboard favourites – the Wurlitzer and the Mellotron, it really gave me the expansive, nostalgic sound that I was looking for."
Photo Credit: Sara Tansy
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