06 December 2024 - 0 Comments
APRA AMCOS, in partnership with the Australian Music Centre (AMC) and SOUNZ Centre for New Zealand Music, has announced that the 2025 Art Music Fund is now open for submissions.
The Art Music Fund provides AUD $7,500 funding each for 11 established composers, nine from Australia and two from Aotearoa, to create commissioned work with the intention of ensuring a long artistic life for the work and its composer.
A wide range of music styles are supported by the Fund including: notated composition; electroacoustic music; improvised music; jazz; sound art; installation sound; multimedia, web and film sound and music; and theatrical, operatic and choreographed music.
Previous Aotearoa winners have included Nathaniel Otley, Eve De Castro Robinson, Nadia Freeman, Salina Fisher, Maree Sheehan, Riki Neihana Gooch, Celeste Oram, Dylan Lardelli, and Sam Holloway.
Partners in the work can include ensembles, orchestras, producers, recording companies, broadcasters, festivals and other parties with the aim of guaranteed multiple exposures by way of performances, recordings, broadcasts or digital dissemination.
Recent Art Music Fund-supported premieres include Salina Fisher's Papatūānuku with Jerome Kavanagh and Auckland Philharmonia Orchestra, and Dunedin electronic artist Nadia Freeman’s The Girmit, which has been performed around Aotearoa. Nathaniel Otley’s major new orchestral work this rising tide, these former wetlands, will premiere with the Dunedin Symphony Orchestra in Ōtepoti in August 2025.
The Fund was launched in 2016 in recognition of the limited opportunities for art music composers to have new works performed. It commissions new work, providing winning composers with professional support to grow their repertoire in a sustainable way.
Each entry will be assessed by an external panel of musicians from a diverse mix of cultures, gender, geography, generation and genre.
Chris O’Neill, Director of Creative Programs at APRA AMCOS, explains: “The Art Music Fund is a one-of-a-kind opportunity for established composers to get their works commissioned on a large scale and ensure that those works are seen by a wider audience for a long period of time.
“We know that artists and composers always have to juggle numerous projects and commissions to maintain a sustainable practice, so an opportunity like this enables them to pitch for support that will help them to take the next step in their practice.”
Hannah Darroch, CE of SOUNZ says:
"It's a pleasure to partner with APRA AMCOS and the Australian Music Centre on this wonderful initiative, supporting composers of art music from our two countries. Recent years have produced many innovative and excellent works, and fostered meaningful partnerships between composers and performers, ensembles, presenters, and producers.
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