28 June 2016 - 1 Comment
Blind Tiger,
Vector Arena & undertheradar presents:
BLACK MOUNTAIN
Auckland - Friday September 30th at Tuning Fork
Wellington - Saturday October 1st at Bodega
Tickets for the Auckland show are available from Ticketmaster.co.nz and are on presale
3pm, Tuesday 28th June and on general sale 9am, Thursday 30h June
Tickets for the
Wellington show are available from undertheradar
and are onsale 9am, Thursday 30th June
***
Drawing on blues, psychedelia, acid rock, Led Zeppelin, and the Velvet
Underground, the Vancouver five piece Black Mountain are coming
to New Zealand for the first time and bringing with them, their
fourth proper album, IV.
"The songs on IV are massive, cosmic things, beautiful in their own
right" - Consequence Of Sound
"IV starts strongly with crunching, crashing rock that brings
to mind an early-period Tragically Hip covering later-era Black Sabbath" - 13th Floor
"The fourth album from Vancouver hard rock band Black Mountain
rolls everything up the band has ever done—the heavy riffs, the prog ambitions,
and the pop smarts—into an alternate-universe version of classic-rock
history."
- Pitchfork
|
BLACK MOUNTAIN BIO
"We were toying with the idea of calling the album Our Strongest
Material To Date" laughs Jeremy Schmidt. The Vancouver outfit's
keyboardist can afford to joke about what they describe as "the dog-eared
ace of spades of all rock band platitudes." It was during a solo show
under his Sinoia Caves alias that he performed a revelatory electronic
prototype for Mothers Of The Sun. This quintessentially Black Mountain
tour de force kicks off the renamed but still accurately titled IV.
"It's actually an older song which we couldn't get quite right
before," explains Schmidt. "It has all the elements that we gravitate
towards, built into one miniature epic."
Chief among these elements is the distinctive voice and breath-taking range of
Amber Webber, whether she's powering through interstellar boogie on Florian
Saucer Attack, setting the celestial tone for her beautifully orchestrated
ballad Line Them All Up, or constructing the choral midsection for Space To
Bakersfield, a psychedelic soul finale inspired by Funkadelic's deathless
Maggot Brain. "We'd meant to have an actual choir, but I ended up singing
all the parts. It's a choir of me! I'd never written an arrangement like that
before."
The group's sense of rediscovery as a creative whole is tangible throughout.
They were joined in the studio by spiritually attuned bassist and veteran
purveyor of the riff, Arjan Miranda (formerly of S.T.R.E.E.T.S, Children, and
The Family Band) whose roots, heart and soul are connected to the same soil and
cement that Black Mountain were borne from. Recording was primarily done in
close collaboration with Sunn O))), Wolves In The Throne Room and Marissa
Nadler producer Randall Dunn, at his trusted Avast! facility in Seattle.
"It's got some grit," enthuses guitarist and co-vocalist Stephen
McBean. "And there's a history there: Northwest punk, grunge
and general weirdo outsider stuff, plus it houses the same Trident mixing board
used for Alice Cooper's Billion Dollar Babies."
A heightened mystique and dramatic yearning can be heard on such perfectly
formed earworms as Cemetery Breeding, described by drummer, engineer and
occasional pianist Joshua Wells as "a dark pop song with an emotive
urgency to it that taps into my teenaged eyeliner-and-trenchcoat
wearing sensibilities." Wells' eclectic tastes and multitasking flair
– his supple percussion also provides the backbone for Dan Bejar's
world-conquering Destroyer ensemble – inform Black Mountain's wider palette as
well as their rhythmic choices. "It's like painting. All sound colour. And
space is really important. People think of us as this heavy rock band – and we
are sometimes – but it has to be tempered with space. There has to be these
emotional cues. It's not just about rocking out."
Check out the way Amber and Stephen's harmonies telepathically entwine on
cosmic standout Defector, or Constellations' unforced confluence of synthesizer
pulse and double denim riff. In addition to being blessed with a melodic
facility that eludes most rock groups, Black Mountain effortlessly echo the
limitless possibilities of the internet age. Sonic tributaries that never met
in the real world – AC/DC and Amon Düül, Heart and Hawkwind, King Crimson and
Kraftwerk – flow together on IV as they do online. It fits with
McBean's unifying theory of the modern YouTube stoner, wherein "kids
discover their own alternate universes online, from Cologne to Melbourne...
Detroit to Laurel Canyon.. the ice age to annihilation. There's a
new scene with a different set of headphones creating a postmodern futuristic
Fantasy Island. All those fledgling heads in waiting escaping within their
computer screens!"
This impulse to connect is reflected by the band members' activities and
journeys outside the mothership. Josh and Amber have their self-run Balloon
Factory studio and pop-noir Lightning Dust project. Stephen relocated to Los
Angeles six years ago. Traveling and creating via his Southern Lord released
hardcore unit Obliterations and ongoing post-punk rock 'n' roll combo Pink
Mountaintops (whose heady sometimes electronic throb led to the majestic,
mantra-like You Can Dream). "There's something very West Coast about us
all." he says. "That rambling restlessness of keepin' on guides
us and keeps the music alive. Whether it's the gravitational pull of the
Pacific Ocean that draws us back together or simply a good taco... The turning
up, turning on and getting down is Black Mountain. It's home, and it
always feels good to come back to. "
Back in Canada, meanwhile, Jeremy, channelled his analogue synth mastery and
youthful John Carpenter worship into the hugely acclaimed cult science fiction
film score Beyond The Black Rainbow. He's been busy of late
conceptualizing Black Mountain's "mystic Concorde" art direction.
Referencing the hallowed aircraft's future/past iconography, his designs are
emblematic of IV's spatial diversity and maximalist astral-rock vision.
You know, it really is their strongest material to date.
Links:
Black Mountain
Official Website/Facebook/Twitter
Auckland - Friday September 30th at Tuning Fork
with Dave Weir
Tickets for the Auckland show are available from Ticketmaster.co.nz
Wellington - Saturday October 1st at Bodega
with Dave Weir & Transistor
Tickets for the Wellington show are available from undertheradar
DAVE WEIR
Auckland's Dave Weir creates psychedelic folk and pop that blows through the house like a warm wind from the 1960s. Dave recently released his debut EP Food For Thought, which arrived earlier this August, weaving and coursing with the echoes of influence from his first loves - The Kinks, Simon and Garfunkel, and David Bowie.
https://www.facebook.com/daveweirmusic/
TRANSISTOR
The songs on Transistors' self-titled EP consist of distorted, ear worm¬-like riffs, bombastic Keith Moon¬-styled drumming and piercing, yet ethereal melodies, which are all pulled together through a tight, loud lo¬-fi production sound.
https://www.facebook.com/transistormusic01/